Showing posts with label Vanessa Brantley Newton. Show all posts
Showing posts with label Vanessa Brantley Newton. Show all posts
Friday, February 2, 2018
Vanessa Brantley Newton presents the Sid Fleischman Award for Humor to Crystal Allen for "The Magnificent Mya Tibbs"
Vanessa spoke movingly of how, as a child with dyslexia, she wishes she could have had Crystal Allen books to read.
Crystal thanked the Lord, her family, agent, editor, and then, touchingly, her character Mya Tibbs: "For teaching me to walk the walk, not just talk the talk." She describes getting to know her character (who loves country music) and how she herself didn't like it... until she realized she hadn't given it a chance.
It's touching, and funny, and so fitting as she accepts the Sid Fleischman Award for Humor!
Sunday, July 9, 2017
Vanessa Brantley Newton: Digital Art, Best Practices.
This session is so much more than best digital art tips!
Vanessa talks a bit about how she started to learn how to illustrate. She followed every possible illustrator and animator blog, did all of the Illustration Friday prompts. She copied her favorite artists like Sasek and Blair, but then adding her Vanessa interpretation. She works both traditionally and digitally, and is a perennial student in both. Vanessa stalks Youtube and still enrolls in things like Lilla Rogers classes. She tells us to make a lab for yourself, take a day to learn how to do something on Youtube and improve all your illustration weaknesses in this customized fashion. Paint your own textures and papers so you have your flavor in those textures and also so you don't need to rely on stock sites or worry about copyright.
To Vanessa, the ideal is: You want to get to that point where people can't tell, even art directors, if it's digital or traditional.
Dyslexia made Photoshop and Illustrator's complicated workspaces too difficult for her to work in, but Vanessa found that Corel Painter had a simpler tool panel that she was able to master quickly. One of Corel's drawbacks is the inability to add texture to those digital drawings, so after all of the drawing and flat color is done in Corel, Vanessa brings that art into Photoshop to add her texture and collage elements.
She uses Photoshop to put together her sketch dummies, too.
She collects all kinds of fabric, paper, she makes her own paper, too. You can buy textures, but Vanessa recommends taking your camera outside and taking photos of textures and building your own digital library. You can add photographs to your work to add dimension, too. Photos from flea markets!
MARY HAD A LITTLE GLAM was hand drawn first, scanned, and then colored digitally.
For her Hallmark work, she used the Corel Draw airbrush tool.
She shares art made just a few weeks ago, it's made with a scanned piece of linen fabric with multiple layers of color overlayed over the linen layer and then she uses the Photoshop scissor tool to cut out shapes on that color layer. Amazing! Here is my terrible screenshot of it, I'm sorry I can't do it justice here.
Vanessa asks us to all bring diversity into your art, we are all different colors, we have all different hairstyles, don't go for stereotypes.
Vanessa talks a bit about how she started to learn how to illustrate. She followed every possible illustrator and animator blog, did all of the Illustration Friday prompts. She copied her favorite artists like Sasek and Blair, but then adding her Vanessa interpretation. She works both traditionally and digitally, and is a perennial student in both. Vanessa stalks Youtube and still enrolls in things like Lilla Rogers classes. She tells us to make a lab for yourself, take a day to learn how to do something on Youtube and improve all your illustration weaknesses in this customized fashion. Paint your own textures and papers so you have your flavor in those textures and also so you don't need to rely on stock sites or worry about copyright.
To Vanessa, the ideal is: You want to get to that point where people can't tell, even art directors, if it's digital or traditional.
Dyslexia made Photoshop and Illustrator's complicated workspaces too difficult for her to work in, but Vanessa found that Corel Painter had a simpler tool panel that she was able to master quickly. One of Corel's drawbacks is the inability to add texture to those digital drawings, so after all of the drawing and flat color is done in Corel, Vanessa brings that art into Photoshop to add her texture and collage elements.
She uses Photoshop to put together her sketch dummies, too.
She collects all kinds of fabric, paper, she makes her own paper, too. You can buy textures, but Vanessa recommends taking your camera outside and taking photos of textures and building your own digital library. You can add photographs to your work to add dimension, too. Photos from flea markets!
MARY HAD A LITTLE GLAM was hand drawn first, scanned, and then colored digitally.
For her Hallmark work, she used the Corel Draw airbrush tool.
She shares art made just a few weeks ago, it's made with a scanned piece of linen fabric with multiple layers of color overlayed over the linen layer and then she uses the Photoshop scissor tool to cut out shapes on that color layer. Amazing! Here is my terrible screenshot of it, I'm sorry I can't do it justice here.
Vanessa asks us to all bring diversity into your art, we are all different colors, we have all different hairstyles, don't go for stereotypes.
Friday, July 7, 2017
Keynote: Vanessa Brantley Newton
Vanessa Brantley-Newton is a picture book creator whose books include MARY HAD A LITTLE GLAM (by fellow conference speaker Tammi Sauer), THE YOUNGEST MARCHER, and LET FREEDOM SING. Lin introduces Vanessa by saying her work displays pleasure, joy, and is a party for your eyes, and it is true, you'll see some below! She gets not one, but TWO standing ovations at the end of her keynote and I'm not not teary as I type this up for you...
Vanessa starts by having the audience do the Hokey Pokey dance to get our collective jitters out.
Her talk today is titled Diversity Designed by Adversity
Vanessa says we can let diversity ruin us, make us sad, or we can make the choice to lean into it, wrap our arms around it, shake it off and pack it under.
Vanessa talks about growing up with dyslexia and stuttering, and how those elements of her young life shaped her into a writer, and by embracing the therapy of singing out the words she wants to say to us, she was able to train her brain to overcome stuttering. Her synesthesia, the ability to see, taste, hear color, makes her an emotional painter of great power and colors.
Though she went to school for illustration, Vanessa was a phlebotomist for 25 years! Vanessa says a hospital is the equalizer for everyone. If you're bleeding to death or about to pop a baby out, you don't care what color or class your medical helper is as long as they are qualified. Vanessa drew every child, man, or woman that she drew blood from. She illustrated them as healed and full of joy especially if their final days were neither.
Vanessa stops to give us a PSA from We Need Diverse Books:
She talks about growing up with no black Breck Girls, no brown Red Riding Hoods, not seeing anyone like her in her books until her teacher shared THE SNOWY DAY with her. Vanessa even had the same snow suit as Peter!
A second We Need Diverse Books PSA :
A final few words from Vanessa: She talks about how there's never a correct time for adversity, but that you are built for handling it. Going through your own personal adversity, Vanessa says you need to experience some hurt and some pain to embrace everybody in this room. You need to put in the hard work, get rid of the people that tell you no, cut those Debbie Downer ties quick, Vanessa says! Get hungry about you, get hungry about your diversity because it is important.
"I love me some me, I love me some you," says Vanessa, "I want to see your brand of happiness, DO YOU, BOO... Dream so big you scare yourself."
And then she sang us a song and we all cried... Or at least I did, thank you, Vanessa.
Vanessa starts by having the audience do the Hokey Pokey dance to get our collective jitters out.
Her talk today is titled Diversity Designed by Adversity
Vanessa says we can let diversity ruin us, make us sad, or we can make the choice to lean into it, wrap our arms around it, shake it off and pack it under.
Vanessa talks about growing up with dyslexia and stuttering, and how those elements of her young life shaped her into a writer, and by embracing the therapy of singing out the words she wants to say to us, she was able to train her brain to overcome stuttering. Her synesthesia, the ability to see, taste, hear color, makes her an emotional painter of great power and colors.
Vanessa stops to give us a PSA from We Need Diverse Books:
When children cannot find themselves reflected in the books they read, or when the images they see are distorted, negative, or laughable, they learn a powerful lesson about how they are devalued in the society of which they are a part.
She talks about growing up with no black Breck Girls, no brown Red Riding Hoods, not seeing anyone like her in her books until her teacher shared THE SNOWY DAY with her. Vanessa even had the same snow suit as Peter!
A second We Need Diverse Books PSA :
Children do search for themselves in books, in a survey of 2000 schools, 90% of educators believe children would be more enthusiastic readers if they saw themselves in their book.
A final few words from Vanessa: She talks about how there's never a correct time for adversity, but that you are built for handling it. Going through your own personal adversity, Vanessa says you need to experience some hurt and some pain to embrace everybody in this room. You need to put in the hard work, get rid of the people that tell you no, cut those Debbie Downer ties quick, Vanessa says! Get hungry about you, get hungry about your diversity because it is important.
"I love me some me, I love me some you," says Vanessa, "I want to see your brand of happiness, DO YOU, BOO... Dream so big you scare yourself."
And then she sang us a song and we all cried... Or at least I did, thank you, Vanessa.
Thursday, July 6, 2017
#LA17SCBWI Illustrator Events
There are many events at #LA17SCBWI designed specifically for illustrators. Come out of your shell, and don't miss these social opportunities:
Illustrators Social
Friday, July 7, 7:30 – 8:30pm (after the member booksale)
JW Marriott Live, Room: Diamond 4
Portfolio Showcase and Reception
Saturday, July 8, 5:00 – 7:00pm (right before the Gala)
JW Marriott Live, Room: Plaza I-III
Golden Kite Luncheon & Awards Presentation
Sunday, July 9, 12:00 - 2:30pm
Room: Platinum Ballroom
Illustrators' Intensive -- Conference ADD ON
Monday, July 10, 8:00am - 5:00pm
Schedule details: https://www.scbwi.org/event-46th-annual-summer-conference-in-los-angeles-la17/illustrator-intensive/
And, here's a key of the workshops specifically designed for illustrators at #LA17SCBWI:
Friday, July 7, 2017
9:00 - 9:45am
Keynote: Vanessa Brantley Newton
Room: Platinum Ballroom
11:30am - 12:30pm
Leuyen Pham: One Artist, Different Styles
Room: Platinum Ballroom
Raúl Colón: The Dream of Visual Storytelling: Tools and Procedures
Room: Diamond 6
4:15pm - 5:15pm
Sean Qualls: Texture Technique Demonstration
Room: Diamond 8
Vanessa Brantley Newton: Creating Joyful Characters
Room: Platinum Ballroom
Saturday, July 8, 2017
11:30am - 12:30pm
Lucy Ruth Cummins: Stealing Best Practices of Working Illustrators (That I Steal, Too)
Room: Platinum Ballroom
Rubin Pfeffer: Smart Dummies: From Picture Book Concept to Manuscrupt to Dummy
Room: Diamond 3
3:15 - 4:15 PM
Javaka Steptoe: Anatomy of a Caldecott-Winning Book
Room: Diamond 6
Alexandra Penfold: Picture Book Writing Skills for Illustrators
Room: Diamond 4
Sunday, July 9, 2017
9:00 - 10:15am
Keynote: Picture Book Panel
Room: Platinum Ballroom
11:00am - 12:00pm
Vanessa Brantley Newton: Digital Art, Best Practices
Room: Diamond 5
Lucy Ruth Cummins: Self Promotion: Selling Yourself to Art Directors Easily and Cheaply
Room: Diamond 4
2:45 - 3:45pm
Raúl Colón: How To Make a Living as a Professional Illustrator
Room: Diamond 10
Stacy Innerst: School Visits as an Illustrator
Room: Diamond 1
Leuyen Pham: Creating Middle Grade Art
Room: Diamond 5
There's plenty for illustrators to learn at other workshops as well, but these are illustrator-focused events. Don't forget, you can only attend one session per time block, so choose carefully, take notes, and have fun! For the full conference schedule, visit: https://www.scbwi.org/event-46th-annual-summer-conference-in-los-angeles-la17/schedule/
If you're reading from home, don't forget to participate in the monthly Draw This! challenge. This month, the theme is "Celebrate" with submissions due July 20th.
Illustrators Social
Friday, July 7, 7:30 – 8:30pm (after the member booksale)
JW Marriott Live, Room: Diamond 4
Portfolio Showcase and Reception
Saturday, July 8, 5:00 – 7:00pm (right before the Gala)
JW Marriott Live, Room: Plaza I-III
Golden Kite Luncheon & Awards Presentation
Sunday, July 9, 12:00 - 2:30pm
Room: Platinum Ballroom
Illustrators' Intensive -- Conference ADD ON
Monday, July 10, 8:00am - 5:00pm
Schedule details: https://www.scbwi.org/event-46th-annual-summer-conference-in-los-angeles-la17/illustrator-intensive/
And, here's a key of the workshops specifically designed for illustrators at #LA17SCBWI:
Friday, July 7, 2017
9:00 - 9:45am
Keynote: Vanessa Brantley Newton
Room: Platinum Ballroom
11:30am - 12:30pm
Leuyen Pham: One Artist, Different Styles
Room: Platinum Ballroom
Raúl Colón: The Dream of Visual Storytelling: Tools and Procedures
Room: Diamond 6
4:15pm - 5:15pm
Sean Qualls: Texture Technique Demonstration
Room: Diamond 8
Vanessa Brantley Newton: Creating Joyful Characters
Room: Platinum Ballroom
Saturday, July 8, 2017
11:30am - 12:30pm
Lucy Ruth Cummins: Stealing Best Practices of Working Illustrators (That I Steal, Too)
Room: Platinum Ballroom
Rubin Pfeffer: Smart Dummies: From Picture Book Concept to Manuscrupt to Dummy
Room: Diamond 3
3:15 - 4:15 PM
Javaka Steptoe: Anatomy of a Caldecott-Winning Book
Room: Diamond 6
Alexandra Penfold: Picture Book Writing Skills for Illustrators
Room: Diamond 4
Sunday, July 9, 2017
9:00 - 10:15am
Keynote: Picture Book Panel
Room: Platinum Ballroom
11:00am - 12:00pm
Vanessa Brantley Newton: Digital Art, Best Practices
Room: Diamond 5
Lucy Ruth Cummins: Self Promotion: Selling Yourself to Art Directors Easily and Cheaply
Room: Diamond 4
2:45 - 3:45pm
Raúl Colón: How To Make a Living as a Professional Illustrator
Room: Diamond 10
Stacy Innerst: School Visits as an Illustrator
Room: Diamond 1
Leuyen Pham: Creating Middle Grade Art
Room: Diamond 5
There's plenty for illustrators to learn at other workshops as well, but these are illustrator-focused events. Don't forget, you can only attend one session per time block, so choose carefully, take notes, and have fun! For the full conference schedule, visit: https://www.scbwi.org/event-46th-annual-summer-conference-in-los-angeles-la17/schedule/
If you're reading from home, don't forget to participate in the monthly Draw This! challenge. This month, the theme is "Celebrate" with submissions due July 20th.
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