Friday, August 1, 2025

Breakout Session 1: Smells Like Tween Spirit with Julia DeVillers


Julia DeVillers is a bestselling and award-winning author of middle grade and YA books, including: MEET ME AT WONDERLAND (Simon & Schuster), MEET ISABEL and NICKI (American Girl), and HOW MY PRIVATE PERSONAL JOURNAL BECAME A BESTSELLER, which was adapted into the Disney Channel Original Movie “Read it and Weep.” She also has sold a TV pilot to CBS inspired by her life and a true crime show to Oxygen. She has been featured in The NY Times, People, Good Morning America, NPR’s Weekend Edition, and USA Today.



Smells Like Tween Spirit


Julia asks us to think of one character you remember vividly from childhood, and then think of 3 adjectives that made you love them. 

Where does Julia come up with her ideas for your character? Often real life experience. Julia's job at Chuck E Cheese as Chuck E Cheese inspired her latest book, a middle grade romcom MEET ME AT WONDERLAND. Julia suggests mining your own experiences. 

An exercise, because middle graders often about experience many first. Pick one, and write about it in a couple of sentences.

  • First huge embarrassment
  • First big changes (moving, puberty, middle school
  • First loss
  • First betrayal
  • First crush/ first time a crush like you back
Tip: If you have trouble getting back to that time, it can help to play music from that time in your life. 

3 key elements of developing your character, know their:

  • desires
  • fears
  • quirks
Julia notes that voice isn't just dialogue. It's how they sound. How they think. It's their word choice, tone, and rhythm. It's how they sound in their thoughts and in their dialogue. 

Code switching. It's great to remember kids sound different depending on who they are with. 

Julia notes that our character should experience growth. They don't need to fix all their flaws or become a new person, but still earn some insight, especially about themselves. "We want to see your character mess up, learn, try again, and grow."

"Creating characters is about getting the slang term right or perfect, it's about capturing that wild, awkward, amazing smell of being a tween." Julia asks, "If we bottle teen spirit, what would it smell like?" Ha! Fun considerations. What does it smell like to you, reader?



If you want to view this session to hear the full content, along with the rest of the conference, register at https://www.scbwi.org/events/virtual-summer-conference-2025. Replays of the conferences will be available until September 14th, 2025.

The Big Picture in Children's Publishing - Tara Weikum / Saho Fujii

Sharing summaries of two of the panelists this morning, see the Official Conference Blog for other panelists' summaries: 


Tara Weikum,VP and Publisher of Storytide, an imprint of HarperCollins Publishers, has been at Harper for over 20 years. Her list focuses on middle-grade and teen fiction, and she is particularly drawn to stories with unexpected twists on a familiar premise; high-concept teen fiction; magical realism; and heartfelt middle grade with a unique point of view. Her list features authors such as Tahereh Mafi, Katherine Applegate, Lexi Ryan, Mackenzie Reed, Moira Buffini, and Jake Maia Arlow, among many others. Storytide brings together books that have both public and critical acclaim in the MG and YA categories. Tara's inspiration for her work came after college when she took a course on publishing and has been involved in the industry editing ever since. Book creators coming up with new stories continue to inspire Tara every day as an editor.

Saho Fujii is Executive Art Director at Little, Brown Books for Young Readers. Saho went to school to be a picturebook illustrator, but ended up getting a design job in publishing right out of college and has been designing for books ever since. She loved picture books as a kid and still does, and says she cannot stop herself from buying more beautiful picture books, Saho considers them as fine as any fine art painting. Growing up in Japan she loved American and European picturebooks and their windows into Western life and culture beyond her own country. Saho has designed for all categories in children's books but now focuses primarily on picturebooks and some of the creators she's worked with include Aaron Becker, Sophie Blackall, Bryan Collier, Christopher Denise, Michaela Goade, Grace Lin, LeUyen Pham, Jerry Pinkney, and Javaka Steptoe, among others.

What makes a great agent to Tara? 

Tara has seen it all and can feel when an agent is 'checked out' or is not being a good advocate for their clients and that impacts if Tara as a publisher wants to continue working with them long term, and publishing is a small town. A great agent can help with issues that arise from either the publisher/editorial side or from the creative side, a good agent helps keep these various working relationships going during tough internal or external times.

How does Saho find new artists?

Saho goes to agency websites first, and does encourage unagented creators to get an agent and we are reminded that most publishing houses are closed to non-agented submissions. But for illustrators, there remains the option to send in postcards and Saho does like to receive postcards. She also looks to Instagram for illustration, as do her colleagues. She used to like to check out Etsy but it's so big now that it's a bit time consuming to be on there. A lot of agent's websites have great search engines and Saho considers that to be a huge help and timesaver. For short term project deadlines Saho turns to agents for their picks on artists who are available immediately or work fast.

Saho, when thinking about receiving very unique art samples in the past, like 3D models or beautifully printed calendars, or even just Express or Urgent mail... That is all unneccessary. One simple printed postcard with one big image on the front and maybe some spots on the back is enough. Saho puts favorite postcards up on her office wall.


The Big Picture in Children's Publishing - Kait Feldmann / TeMika Grooms

 The Big Picture in Children's Publishing - An Industry Panel

Kait Feldmann / TeMika Grooms



Warmly introduced by Sarah Baker, TeMika Grooms, our moderator, is a "New York Times bestselling illustrator of picture books" who will lead us through thoughtful conversation about where the children's publishing industry is now, and where it's headed. TeMika, SCBWI's Manager of Illustration and Design, is "a creative force in our community, and is known for her teaching, her leadership, and a deep commitment to supporting fellow book creators."

TeMika Grooms: Tell us a little bit about what you do, as well as what inspires you in your business as a creative and as a person who publishes books.

Kait Lee Feldmann: Hi, my name's Kait Feldman, I'm an agent at kt Literary. I started as an editor and edited as an assistant. I worked on picture books through YA, and when I became an acquiring editor, I zeroed in on picture books. For 10 years I worked at Scholastic and HarperCollins as an editor of picture books and graphic novels and last year, I joined kt Literary. I only represent illustrators and author/illustrators. 

Kait is open to submissions and you can find more information on Kait's website, katefeldman.com.


TeMika: Thank you all for introducing yourselves and sharing what inspires you most. So, I have questions about relationships between agents, publishers, and clients. Some of our audience may already have agents, and some of them may be in different parts of their publishing career. What do you think is the mark of a great agent for those who have an agent, and for those who don't. 

Kait Lee: I think a great agent is someone who is your business partner and your creative partner. You want someone who understands your vision for the stories you've submitted, but also, where you want to go in your career. l've had people query me where there's something I really like about their work, but they're going in a different direction than me and as an agent, I would never want you to mold yourself to what I want.

Your agent's vision/ skill set should match what you want. Also, do you want an agent who's more editorial, who can collaborate on the creative process, or do you want someone who's going to be more of a business partner to get your work out there. Some agents are more editorial than others, so that's always a good thing to ask.


TeMika: How do you find new clients for people without agents?

Kait Lee: My advice is always to do a reverse search. Start with the books on your own bookshelf or the books that you check out from the library most often. Take note of the authors or the illustrators, and then look up who their agents are. Google it. Sometimes if it's a novel, you can look in the acknowledgements in the back. Look up the authors/illustrators of your comp titles and who represented them. Publishers Weekly has a twice-weekly newsletter called Children's Bookshelf. It's free to subscribe, and it drops on Tuesdays and Thursdays. It has great articles as well as deal announcements. You can look up recently published books to see what's out in the market and what's coming in the next few years.

TeMika: How often would you like to see a submission from someone who's querying? 

Kait Lee: As an editor, I think everyone can relate to "Inbox Avalanche" and the ongoing battle with our inboxes. When I respond to a submission and a new submission comes back immediately after that, it can be overwhelming so as an agent submitting to editors, I try to keep that in mind. I always appreciated the agents who weren't in my inbox constantly. As an agent, I think it's a little different. But if you submit to me and then wait to hear back, I will usually give you feedback because I'm working with artists. If I pass once, it's pretty much just a pass. But if it's about a particular story I'm interested in, I will let you know if I want to see a revision or see your other works.

TeMika: Picture books are a little different, nowadays. Can you tell us if you are seeing anything that's unusual within the picture book space?

Kait Lee: One thing that l've been super excited to see in the last few years is the graphic novel format making its way over into picture books, creating a kind of hybrid with panels, and speech bubbles. I'd say we're not at a point where really long picture books that become graphic novels work but adapting the composition of graphic novels into that 32-page format is something that is fun to explore.

Also, editors are asking for two things that are kind of the polar opposites but one is horror/scary stories for kids, and also, whimsical/goofy books, especially with kids of color. Kids of color tend to be only in educational books about something traditional, or something where learning is a significant part of it. And though we do need those books, we also need the ones where it's just silly, magical stories about kids getting into trouble. Just adventure.

TeMika: Let's talk about Al now. All technology changes. It influences our creative process. What kinds of changes are you seeing in terms of Al?

Kait Lee:  Most publishers at this point, contractually, have a clause that says you cannot use Al to generate your content. There's no test, as far as I know, but that's not something you want to try to skirt around.
On the submission side, I do have a form letter specifically for Al submissions, because I'm getting a lot of them. A lot of the submissions I'm getting are authors who don't realize you don't need to pair yourself with an illustrator. It is not industry standard, but sometimes they will generate Al to help me visualize the book.
"I just tell them, you don't need to do that. In fact, don't do that. And then a gentle explanation of the reasons why Al is bad."

TeMika: l'm a person who loves technology, but I don't think there's anything that can replace human ingenuity, creativity, lived experience, relationships that you've had, and the things that you're actually trying to say. As much as we use it as a tool, I want to encourage everyone to keep creating, too because it's super important. So, I know that you all talked about what inspires you but now, I want to know a little bit about what you hope your legacy to be.

Kait Lee: I think I want to work on the books that would have brought me joy as a kid, which I think is how I operate now. I want to work on the books that make me feel something. I want to continue on things that make me happy, that refuel, and energize me. I want to feel hopeful, but really, I want books where characters eat each other, and get into trouble and mischief.

"I started off inspirational, but if I'm being honest, I want my legacy to be wreaking havoc in the world through a picture."

ROCK ON, KAIT LEE!


Don't forgot that you can access this panel and rewatch through your membership portal until September 14th, 2025!

Kait Lee Feldmann (Agent) is a children’s book agent at kt literary representing illustrators. She has been romping around as a children’s book publishing for the past decade, previously as an editor at HarperCollins and Scholastic. Her list as editor included award-winning books that received a Caldecott, Coretta Scott King, and Sibert Honor; the Ezra Jack Keats Award; and appearances on Best of lists for The New York Times, NPR, Kirkus, and more. In 2020 she received the CBC Diversity Outstanding Achievement Award. Kait resides in a hoarder’s paradise in Los Angeles, surrounded by books. You can review her client wishlist at her website: kaitfeldmann.com/mswl

TeMika Grooms (Manager of Design and Illustration) is a Georgia-based writer and illustrator creating stories with a belief that all children should be able to see themselves as the hero within the pages of a book. In 2021, she was selected as an Illustration Mentee in the We Need Diverse Books Program and was a member of the first cohort for the Highlights Foundation and The Brown Bookshelf Amplify Black Stories program.  She is the illustrator of several children's books, including Put Your Shoes On & Get Ready! by Senator Raphael G. Warnock, Getting Us to Grandma's by Nadia L. Hohn, and A Century for Caroline by Kaija Langley.

The Big Picture in Children's Publishing : Patrice Caldwell

 

Patrice Caldwell  is seeking commercial, character-driven fiction for middle grade, young adult, and adult readers as well as narrative nonfiction. Across the board, she is especially looking for middle grade and young adult science fiction & fantasy, mythology retellings and reimaginings, romance novels, and anything that can be categorized as horror and/or gothic literature. Patrice loves to champion stories from writers & illustrators from marginalized backgrounds. She does not represent picture books.

Before becoming a literary agent, Patrice was an editor at Disney-Hyperion and, before that, Scholastic. She went to Wellesley College, where she studied Political Science and English, and is the founder of People of Color in Publishing, a grassroots organization.

Patrice just started her own agency in February--The Caldwell Agency. It has a DEIA focus at its heart, not to be exclusionary but to be inclusionary. Patrice wanted to really think about what it means to build an agency that is accessible and has tools to support its creators. Part of why Patrice moved from editorial to agenting was the ability to work with a writer for their entire career, to be an advocate for them. 

Patrice believes the mark of a great agent is someone who's passionate about the thing you want to do. Patrice also says your agent isn't someone you should be afraid of. You want to have an agent that you feel comfortable sharing information with.

Patrice encourages: Don't discount a young/new agent. With the additional note: there are several new agents that will be with The Caldwell Agency soon. A great thing to know for those of you who are looking! 

Great tip: Before you sign with an agent, you should talk to a client or two. Patrice advises you don't talk to their most successful client. Things are going really well for them, so it might be more useful to talk to someone who's debut is just coming out. Or, a writer that's been through several rounds of revisions with her on the same project. 

Patrice notes that the market is all over the place, and that it's harder than ever to sell a debut, but it's never been easier for a previously published writer to do really interesting things (when it comes to genre blending).  

Things her writers are exploring: more illustration, shorter pages, playing with format, and more interactive. 

What do you hope your legacy to be? Patrice shares the choice to start this agency is now her legacy. She's very proud of the work she's done and knowing that her clients books didn't exist a few years ago. Patrice is happy to feel like "I've done good work and I'm happy with the work I've done."



If you want to view this session to hear the full content, along with the rest of the conference,
register at https://www.scbwi.org/events/virtual-summer-conference-2025. Replays of the
conferences will be available until September 14th, 2025.

The Book Chooses You with Soman Chainani

Soman Chainani’s debut series, THE SCHOOL FOR GOOD & EVIL, has sold over 4.5 million copies, been translated into 35 languages across six continents, and has been adapted into a major motion picture from Netflix that debuted at #1 in over 80 countries. His book of retold fairytales, BEASTS & BEAUTY, also debuted on the New York Times Bestseller List and is slated to be a limited television series from Sony 3000. In 2026, Soman unveils a brand new universe with YOUNG WORLD, a global political thriller. 

In his career, Soman has visited more than 800 schools around the world, where he continues to share his secret with students of all ages: that reading is the path to a better life.

When Soman wrote The School for Good and Evil, he kept it under wraps, so when completed and on the shelf, it was as if the book was dropped by magic. But in these times of AI, and process being manufactured so quickly and easily, he realized it's important to show the process of how books come to be; an artisanal stamp of how it was created. Soman now tries to open the doors of writing, just like Willy Wonka did with the Chocoalate factory, so people can see behind the door. To see how the book is created. 

This has become his mantra. To pull back the curtain. Soman has a substack, Diary of a Novel, tracking the week by week making of his latest book. He also has a podcast called Plot Twist- revealing everything!

"This has become my entire ethos," he says. "I'm all about showing you how the thing came to be."


The book chooses you. 

This is how writing started for Soman. Out of college, he joined his father's business, but he was always found working on his book in the corner, and in fact, work realize he'd been working on his little fairy tale project all day long. That little fariy tale was The School for Good and Evil. 

Fast forward to when the book was finished and on submission, 16 of 17 editors said no. Just one said YES. A good reminder that it only takes one yes! 

Soman walks us through the next books that also chose him. He found that when books organically came out of him, that's when the good stuff happened.

 However, after his many books, he found himself pigeonholed in fairy tales, and that chance for an instant sale pushed him into writing books that were not choosing him. He chose to let go of a sure thing, and let his brain start working on something very different. He had an idea: What happens if teenagers interrupt a presidential election between two old zombies? That book is called Young World and it's coming out this May (cover reveal coming in September).

But after turning in pages of this new book, his agent was honest with him. The concept was great, but the writing was not that good. Soman couldn't write this book like he did the middle grade fairy tales. So he threw out everything and started over. This time he started in diary form. 

Soman leaves us with this great wisdom, perhaps giving us all a mantra to walk away with:  "The book chooses you every single time...the more you trust yourself and what your body and your voice is telling you to create, and you have the right people along the way who support you and don't push you towards money and easy answers, the more you'll get what's meant to be your career."


This talk! The reactions in the chat. The emojis flying up. If you're not signed up for the conference, it's not too late to registerer. 

If you want to view this session to hear the full content, along with the rest of the conference,
conferences will be available until September 14th, 2025.

Welcome and Introduction Sarah Baker

 Welcome and Introduction Sarah Baker



We opened up the 2025 Summer Conference with a welcome and introduction from the wonderful, Sarah Baker, the Executive Director of SCBWI. 

There were over 440 people signed in to the conference, all saying hi from all corners of the globe! "Over  the next few days, you will have access to a really incredible lineup of keynotes, panel, and really interesting and important breakout sessions deigned to support you!" 

SCBWI has brought together some of the most talented voices in the children's book world to share their insights and experiences. From crafting to storytelling to the realities of the publishing industry and how to navigate it all, this conference will have so much valuable information.

"So, wherever you are on your path. You belong right here, right now, and we really hope that you enjoy this conference."

No matter where you are on your creative journey to publication, the conference was designed to help you grow your skills, spark new ideas and connect with other creators. Sarah reminded the viewers to check out the Virtual Portfolio Showcase, available through the SCBWI homepage, featuring over 150 illustrators. "It is fun to see what people are making right now. "

You can also join Peer Critiques as well as the NEW Coffee Lounge Virtual Hangout, where you can meet fellow attendees. 

Reminder: Attendees will have access to the full video library. Every single session that is offered at the conference, every keynote and panel, will be available to watch all month long via the membership portal. You can enjoy them until September 14th, so you can revisit your favorite sessions or catch up on anything that you missed. 

"On behalf of all of us at SCBWI, we want to thank you for being here, for taking the time and investing in your own career and your own creativity."

sarahlynnbaker.com
Sarah Baker (she/her) is the Executive Director of SCBWI, where she leads the SCBWI staff and works closely with the Board of Directors, the Advisory Council, and the official SCBWI volunteers. She joined the SCBWI staff in 2011. Sarah graduated from UCSB with a major in Studio Art and began her career in children’s book publishing at Penguin Young Readers Group, where she designed children’s books. Sarah is also a children’s book illustrator, with her debut illustrated picture book coming out in 2026: Becca and Bubbe's Bucket List, written by Laura Gehl, published by Rocky Pond Books.

Thursday, July 31, 2025

Portfolio Showcase Summer Conference 2025

Portfolio Showcase 

Summer Conference 2025

You can now access the 2025 Summer Conference Portfolio Showcase! I took a gander through and WOW, were there so many amazing entries this year! There were so many to choose from but here are some that really spoke to me and my sensibilities! Check out their websites as well!

Katria Raden 

www.katriaraden.com

Kate Phillips 

katemariephillips.com

Leah Gilbert

 leah-gilbert.com

Hayley Cleary 

www.hayleyclearyart.com/

Merrill Rainey 

www.littlerainey.com 

Katherine Julie Lin 

www.katherinejulie.com

Danamarie Hosler 

www.danamariehosler.com

Ginger Ngo 

gingerngo.com

On Saturday, at the end of the conference, the winners of the Portfolio Showcase will be announced! 

Did you know that the winners will be a part of the Bologna Children's Book Fair? 

"Images from the Gold, Silver, and Bronze winners’ portfolios will be displayed in a special showcase in the SCBWI booth at the 2026 Bologna Children’s Book Fair along with their name, website, and country of origin. There will be more than 30,000 people and 1500 exhibitors from 100 countries attend this renowned book fair."



1 Gold Award (1) winner will receive:
- Free admission to the next Virtual Summer Conference,
- Two phone/virtual meetings with art directors/agents who will provide guidance and feedback on your portfolio,
- A one year renewal of your SCBWI membership, and
- Two images from your portfolio will be showcased in the SCBWI booth at the 2026 Bologna Children’s Book Fair.*

1 Silver Award winner will receive:
- Two phone/virtual meetings with art directors/agents who will provide guidance and feedback on your portfolio,
- A one year renewal of your SCBWI membership, and
- One image from your portfolio will be showcased  in the SCBWI booth at the 2026 Bologna Children’s Book Fair.*

2 Bronze Award winners will receive:
- One phone/virtual meeting with an art director or agent who will provide guidance and feedback on your portfolio.
- One image from the winner’s portfolio will be showcased in the SCBWI booth at the 2026 Bologna Children’s Book Fair.* 


GOOD LUCK to all those who submitted! It is courageous to put yourself out there and you should all be so proud! And don't forget to check out all the entries through the conference!

Orientation for Newcomers with Jolie Stekly

Former SCBWI Member of the Year (if not Millenium*) Jolie Stekly is back with her buoying, opening conference orientation session. Jolie, whose Washington State short horror story appears in last year's The Haunted States of America anthology, helped connect over 250 of us this afternoon in her session and invites all attendees to meet up in the Coffee Lounges she'll be hosting this weekend, check your schedule for Zoom links.

Just being able to show up and pay attention to the conference sessions this weekend is a huge privilege and gift for both new and returning attendees. But in addition to general sessions, the now sold-out optional opportunities to share your written or illustrated work in any of the add-on Roundtables or showcases can be overwhelmingly stressful. Jolie assuages sharer's jitters by reminding them that they've already done the work and submitted it so, "Take a deep breath, be excited, be proud of your work. Show up and share." 

For any session where you are pitching or in dialogue with others Jolie reminds us that, "You get to learn so much by listening to everybody else, but we can tend to put ourselves in a bit of a nervous bubble . . . So I would encourage you to be incredibly present with everybody in the "room", because it will serve you well and it will help you get out of your own head. And I also want to encourage you to take some very specific notes for yourself."

Jolie reminds us all to keep track of the positive remarks we hear about our work this weekend as well as what you might hear about your peers' work and go out of your way to share and remind other of the good stuff about themselves as well. 

Jolie encouraged Orientation attendees to take a moment today before the conference kicks off tomorrow to brainstorm some achievable goals or intentions for the weekend.



*When she's not orientating or blogging the SCBWI conferences, Jolie is still helping authors every day with their craft and mindset via her online classes and consults.



UnBanning Books: Bold Creators Take a Stand - Keri Lambert / Dan Novack / Laurent Linn

 



Laurent Linn: 
"It affects us all, no matter what state or country you live in" 
Book bans can be overwhelming to understand and easy to feel helpless against. But as our moderator, Laurent was there to discuss the current state of book bans and acquire tools to fight back. 
"But don't forget, there is much hope."



Laurent Linn: Let's start with introductions. Tell us who you are and what brought you to speak on this panel?

Keri Lambert:  
Keri Lambert is the Vice President of the Rutherford County Library Alliance in Rutherford County, Tennessee. In 2023, Rutherford County had a decency ordinance go into effect that basically made it illegal to be homosexual in public. Keri knew that that was not good, and thought everyone would be out marching in the streets, and nobody was. Then she realized they were using that decency ordinance to start censoring our libraries. That is when Keri, along with her comrades, started Rutherford County Library Alliance. They started with their public library board, then their school board who started to ban even more books. They have been fighting on a local and state level, as most of the fights that are local are coming from state law. RCLA has testified and were able to stop two of those anti-library bills from passing which they celebrate those wins because there's so much. Tennessee has had nearly 1,400 books removed in the last year. RCLA are here to support their librarians because the librarians are being "threatened, harassed, intimidated. And they can't speak up for themselves. So we exist to support our librarians, as well as support our community. And the freedom to read."

Dan Novack:
Dan Novack is the Vice President and Associate General Counsel at Penguin Random House and it's been his privilege to work on book bans the last couple years. They are plaintiffs in four lawsuits at the moment, in three different states. They are supporting about a dozen other cases nationwide through information sharing and helping to connect people. 

"We've been trying to help states that want to do the right thing, to channel that instinct in a productive way. We've been trying to talk to states that are trying to still do the bad thing, don't get me wrong. They're hard to dissuade."

He spoke about Rhode Island recently passing a bill. There's no models that were existing for how to pass a good law for Freedom to Read and though it is kind of assumed because of the First Amendment, and that you wouldn't need a fancy state law for it, now is no longer the case. 
It's been "eye-opening" the last couple years but they've been involved in writing and helping to support these bills, and other "little rays of sunshine" in an otherwise difficult environment.

Laurent Linn: What is book banning? What does that mean? It's a general term that is used accurately, and inaccurately. There's challenges, there's censorship. There's a lot of discussion. Can you break this down?

Keri Lambert:
"The media really likes to use the term "book banning" but I've been working really hard here on classifying it as restricting access to information...You're guaranteed the right to access information." 

And some people might respond that it isn't "banned" if you can order it on Amazon but that sentiment comes from a privileged place because not every child has the opportunity to go to a store, or money to order books. And they are put at a disadvantage to access those materials due to the lack of resources. You have a right to browse. You can't prevent anyone from accessing what they want. So, we really like to rephrase it to restricting access to information, and you can't do that.

Dan Novack:
"We're getting calls from academic buyers, asking 'Do you have a safe list? Can you give me a list of the books that are not going to get anyone in trouble here?' And, you know, our response is 'If we gave something like that to you, that would imply the existence of the dirty list, right?"So, they haven't supplied a list like that, but that's the pressure they're feeling. 

Four years ago, during the Black Lives Matter protests, it really intensified. That is when Dan saw the earliest book bans on college campuses, where authors were getting disinvited. And then it metastasized into what we're seeing now, venturing out into anti-LGBT, where "sex" is being treated as a special category of material. "That is ostensibly neutral, but it is really just this one neat trick that they figured out can eliminate all the LGBT books, because they're coming-of-age stories" which may have some sexual content. And so, what it amounts to is a flattening. It says everything about sex is conceptually inappropriate. When you eliminate a book with a single reference to sex, regardless of what context it's in, regardless of what else is in the book, that book has to be pulled in states like Iowa, Idaho, Florida. Utah, South Carolina—the list goes on and on. 

They don't care that that creates a list of hundreds or even thousands of individual titles in those states. It's like a nuclear bomb that they drop, because they're really upset about a handful of titles that the conservative movement, Moms for Liberty, has deemed unacceptable for anyone. It's this outsized reaction. 

And people don't understand or appreciate that kids don't buy books. They require intermediaries- that's parents, educators, librarians. It's a trusted category of people. Nonetheless, they're being disempowered, and because they are the intermediaries, people don't understand that the livelihood of the children's book author and illustrator community is in these spaces. And if you eliminate their right to access the material, in the way that they are supposed to access it, it's coming after free speech.

And on the flip side of it, as authors and illustrators, you really are supposed to have the right to do whatever you want, unless it touches a very specific category. Which is pornography, or better understood in the law, as obscenity. So that is why you see the word pornography thrown around, because it takes the First Amendment out of the equation. And once it's out of the equation, we can do what we wish with it. We can ban it, we can criminalize it, even. And so that is why everything gets shunted into that category, because otherwise the author and illustrator have the First Amendment right. And their right to speak is co-extensive with the right to be read. That's your right to access the material, your right to speak.

And the work is calibrated for the understanding and comfort of the grade it is intended for. These challenges don't care about the work of the authors and the publishers to make sure that the material's calibrated for their intended audience. They don't care that there are professional reviews. So it's all about flattening and making it a binary. Sex or no sex.

Laurent Linn: Lightning round. Words of hope.

Keri Lambert: 
"First of all, show up. I swear it makes a huge difference. Just show up. At your local public library, board meetings, school board meetings, committee meetings, your state legislator."
"Show up, hold a sign, put your hand up. I held my hand up for an hour, and they gave me 3 minutes on the floor to speak to them."
"The other thing that really helps is to get a library card. Get multiple library cards for all the libraries in your area, and check books out. Check out the books that have LGBTQ+ themes. Get books that are written by persons of color, that are telling whatever stories tend to get restricted in your community. Sign them out regularly. Get your friends to sign them out, because circulation numbers can affect whether a book is removed from your library or not. So, get a library card and check out books."

Dan Novack:
"Talk to kids. There are high school students that are plaintiffs suing their state governments. I think for the first time ever. They're the brightest, most impressive young people I've ever met. If we can just turn over this country or this planet to them, like, mildly intact, they will do great things with it. So the more we look to the young people to talk about what they want to see and read, and how they know how to think for themselves."

"Hear from the kids directly. We're all talking about kids, but we don't really bring them into the conversation a lot. But there are people in your communities that are outstanding self-advocates themselves. And they're incredibly energizing to be around, and part of my ability to sustain the work that I've been doing emotionally is that I love these kids."

Laurent Linn:
That's a wonderful note to end on, and they are also our superheroes. That's why we do what we do. Thank you all. This has been enlightening, inspiring, horrifying, everything we can think of.
But so important, and truly, your expertise and everything you've all had to say is invaluable. Thank you.

Sarah Baker: 
Thank you, everyone. Um, your passion on the topic just made it so powerful. We all have more to talk about with everyone in your community, in your circles, and I just want to echo what everyone said, to get out in real life. Take any kind of action. Especially after hearing all of the very real repercussions of restricting access to information for young people. Thank you all so much!

There was so much to cover so don't forget to catch the full video in a day or two on SCBWI's YouTube Channel!

Below are some resources shared within during the Zoom panel. Get involved, speak out and take action! 


RESOURCES







Unbanning Books: Bold Creators Take A Stand - Jerry Craft / Gayle Forman / Betsy Gomez

Fantastic panel on book bans to start off the 2025 SCBWI Summer Conference. Here are summaries of three of the panelists' contributions, but FREE REPLAY ACCESS to the entire panel video is available by registering for it at scbwi.org, the video will also be on the SCBWI Youtube channel once it's been uploaded.

Panelist Jerry Craft is the author-illustrator of the bestselling graphic novels New Kid and its companion book, Class Act. New Kid was the winner of the 2020 John Newbery Medal, among other honors. 

Jerry starts off the panel talking about his first experiences with his books being banned: "My books look at the innocence of middle school—no sex, drugs, profanity, or anything like that . . . So when I first heard that my books were being banned, I was as surprised as anyone, because I had always tried to do family comic strips, family comic books . . . I have received more invites and interviews for being banned than for some of the awards that I have won, which is definitely bittersweet." While Jerry feels obligated to talk about the bans, he wishes he didn't have to to the degree that he has done and is thankful to be a part of the discussion today on how we begin to go about the process of unbanning.

Gayle Forman, renowned YA/MG author, tells us about her breakout book from 16-17 years ago, IF STAY being challenged: 'That was an innocent time when books were just challenged for sex, the book bans we have seen in the last 6 to 7 years are an entirely different matter. . . When you look behind the book banning movement, a lot of what is/was fueling this is an effort to privatize public education, something that used to be a common good that both sides of the political spectrum, all sides, supported . . . The majority of Americans support the freedom to read and we are in a situation, both here and in so many other places, where a small minority get to ram things down the throat of this country that are universally unpopular."

Betsy Gomez is the Assistant Director of the ALA's Office for Intellectual Freedom. The office has been working in this space and tracking book bans in libraries (school and public) since 1967. ALA has had a Banned Books Week since 1982. UNITE AGAINST BOOK BANS, is an ALA initiative for public action on behalf of libraries that we can all join today. 

Betsy brings up her work experience with the Comic Book Legal Defense Fund: "Comics, historically, are particularly vulnerable to censorship and bans. 2021 saw a sharp spike in censorship around the country. It is organized and insidious and we need to band together to get through this." Betsy points out that the censors' language today is from the same 'playbook' censorship groups used in the 1950s when censoring comics.

The panel discusses the use of the term 'book ban' as a catchall for censorship, but go on to explain the differences between challenges, bans, and censorship by exclusion. Betsy also shares, "Several states have passed laws requiring age limitations, targeting specific types of content, and a lot of these laws are intentionally vague to facilitate what we often refer to as soft censorship, or self censorship. When library workers and educators don't understand the parameters of the law, they tend to react out of fear and and understandably so, and remove materials preemptively, or decide not to order materials because they might be controversial."

To learn more about book bans and how you can help fight censorship, check out the summaries of the other panelists' on the Official Conference blog and be sure to check back on the SCBWI Youtube channel for the free replay of the entire session. 

Ending on words of hope, from Jerry: "Even having one of your own kids write to an author reminding them why they are doing this. That one letter will counteract three dozen hate emails threatening to ban their book." Jerry centers the child reader again in this fight over censorship, "Kids are begging to be seen, especially in books where they are not the victims." And in better news, Jerry's NEW KID was recently picked for a Virginia school's One Book, One School reading program in which every 6th grader got their own copy. 

Gayle Forman urges attendees to "Write the story that needs to be written, unpack your own self censorship. Publishers continue to support books that do not bend the knee. Penguin Random House has taken a leadership role." And other publishers are encouraged to fight! Authors and illustrators can join Authors Against Book Bans as Gayle reminds us, "It's critical we work collectively and it is so important to work with local boards and entities as well as larger regional or national groups."

What gives Betsy Gomez hope: "All the advocates out there. Find the people in your community. No, you are not alone, this is happening everywhere. Reach out to ALA, reach out to your peers. We've been here before, the censors' language is the same playbook they used in the 1950s when censoring comics. We can get through this if we stick together."

Final words from Gayle Forman: Online activism is not enough. The majority of Americans support the freedom to read but do not know what is happening or what to do about it. 


Wednesday, July 30, 2025

The 2025 Virtual Summer Conference STARTS tomorrow!

 The 2025 Virtual Summer Conference begins tomorrow! 


We kick off our jam-packed weekend with Translators Meetup with Claire Storey from 07:00 AM - 08:00 AM (PDT) where "translators of children’s literature—published and aspiring—are welcome to this meetup featuring Claire Storey, a PAL member of SCBWI based in Derby, England, hosted by Avery Fischer Udagawa."

Followed by the UnBanning Books Panel: Bold Creators Take a Stand from 2:00 pm to 3:00 pm (PDT). Free and open to the public, you can register HERE. 
"Join top creators and industry leaders for a bold conversation on book bans, legal fights, and the power of stories that must be heard."


And ending with Orientation for Newcomers with Jolie Stekly from 04:00 PM - 05:00 PM (PDT). For all those who might be feeling overwhelmed and would love to know how this all works, look no further! Jolie will be hosting the orientation that will get you excited and prepared who what's ahead, making sure you make the best of your experience!


Meet Team Blog Summer 2025 and our "support team!" 

As the new Captain of the SCBWI blog, I am so excited and grateful to have these two amazing humans joining me to officially blog the conference! When I first began blogging, under the leadership and guidance of Lee Wind, Jolie and Jaime were right next to me, helping me find my way and I'm so thankful to have them with me during the first foray as captain! 

As the Beatles sang:
"Oh, I get by with a little help from my friends!"

During our meeting last week, amidst all the busy business that one who businesses, businesses (say that five times fast), our "emotional AND technical support staff" came to make sure we were staying on task! What would we do without them?!

Meet Jolie's incredibly sweet, Clyde, my little pirate, Edward Gigi Teach, and Moira Rose, Jaime's dynamic diva.
Top left to right: Jolie Stekly, Justin Campbell, Bottom center: Jaime Temairik, all caressing and holding their pets!

So come on, what are you waiting for? Grab your support staff member, some water and treats (for you and the staff), your notebook and let's GET INTO IT!

REGISTER TODAY!


Ready to take your children’s book career to the next level? Wherever you are in your publishing journey, the Virtual Summer Conference provides an opportunity for growth, creativity, and connection. Dive into every aspect of the children’s book world, from writing and illustrating to translating, marketing, and self-publishing. Put your art in front of industry pros in the career-launching Portfolio Showcase. And get inspired by sessions tailored for illustrators, picture book authors, nonfiction writers, graphic novel creators, and more—no matter your path or publishing background. Best of all? You’ll have access to all 50+ sessions until September 14th, so you can learn and grow at your own pace. Join us and invest in your passion. It’s time to bring your stories to life! REGISTRATION IS NOW OPEN.

Sunday, February 2, 2025

Thank you for joining us here on the SCBWI Conference Blog!

We're so glad you took time to explore these highlights from the In-Person 2025 Winter SCBWI Conference with us.

Thanks from your SCBWI Team Bloggers, right to left this time:
Justin Campbell, Jolie Stekly, and Lee Wind 

Want more about the business, inspiration, and craft of creating books for children and teens? You can still sign up for the Virtual Winter 2025 Conference -- learn more about it here. (There's a discount code if you were at the in-person conference and want to do the virtual conference, too.)

And if you want to save the date for the 2026 Winter In-Person Conference in New York City, it will be January 16-18, 2026.

Most of all, we're so glad you're part of the Kid Lit Community.

Now, Illustrate, Translate, and Write On!

Some photos (and a silly video) from the autograph party!

What fun to get books signed and personalized by all these amazing creators - here's just a visual taste:

Erin Entrada Kelly strikes a pose

A more candid photo of Sophie Blackall handing over a freshly signed book



Debbie Ohi and me - it's a polaroid! (Thanks, Andy!)

Padma Venkatraman signing

There were quite a few long lines, but the longest inspired this very silly video...





Wrap Up with Sarah Baker, SCBWI Executive Director

 What. A. Conference! 

Sarah Baker takes the stage, wiping away tears, after an amazing keynote to close out the conference. 

She sends out a big thank you to the amazing faculty and hard working staff, and to all the attendees for being here and creating the amazing vibe and energy. 

If you weren't there, or still want more, there is still one more conference available at the upcoming SCBWI Virtual conference. Register HERE. 

It will kick off with the Golden Kite Ceremony, which is open to all. 

Mark your calendars, next year's winter conference is taking place January 16-18, 2026.

Sarah also reminds everyone to use your member benefits, and if need to know what they are, check out the benefit series which can be found online HERE.

And finally she passing along some advice that was passed along to her: Know your power. Know your why. And be ready. 

"This room is filled with so much power for good...there's so much power in the community...and we can harness it...Let's go out and make the best books we can for children all over the world."