Showing posts with label SCBWI. Show all posts
Showing posts with label SCBWI. Show all posts

Sunday, August 2, 2026

Thank you for Joining the 2026 Virtual Summer Conference!

 


From all of us at SCBWI, we want to thank you for joining us for the 2026 Virtual Summer Conference! We hope that you had a absolute blast! Whether you are new member or old, we hope that you were able to take away something from this super inspiring event!

Remember that you can watch the REPLAYS until September 13th! So spread the word to people you think could get something out of the conference! You can find the replays at scbwi.org under My RESOURCES!

Saturday, August 1, 2026

Closing Keynote with Brian Selznick

Closing Keynote with Brian Selznick



After Breakout Session 3 & 4, and a great networking coffee lounge, we rejoined Sarah Baker to introduce our closing keynote speaker, the incomparable Brian Selznick, an "extraordinary storyteller and artist" whose innovative blend words and images has captivated us with all. His transformative, and expansive picture books and illustrated novels have changed how we think of storytelling and it was a privilege to listen to his keynote.

What's Wrong?

When asked about what he wanted to speak about, the theme of "What's Wrong?"  popped into his mind. Given the state of the world that can make us feel helpless and scared, he couldn't help up think "what's wrong," but soon found himself thinking on a much smaller scale about his own life and work and times that he felt something had "gone wrong."

He realized that every time something had gone awry, and he found himself in a state of grief, loss or confusion, down the line, the very thing he thought had happened ended up becoming the beginning of something new. Though he can't control what happens to the world, and often what happens to him personally, he knows he can try to control how he handles it. He does this by reflecting and turning his life into a narrative, which we so often do as humans.

"Life can only be understood backwards, but it must be lived forwards." -
Søren Kierkegaard

Brian then took us on a journey, "backwards," through three books he has made over his thirty seven year career to help drive home the theme of "What's Wrong?"
Through these books, we looked at a few moments of "wrongs" that turned into moments "most needed," pushing him toward something new. 


We began with his book Kaleidoscope, a book he developed at the height of the pandemic. He was trapped in NYC while his husband was trapped in San Diego and the uncertainty of seeing each other weighed down on him. To the point where he couldn't fathom creating anything. Then he saw a sign written by a child placed in their window— "Let's Make Art," which got him going again. 

He started with old postcards that he had, drawing, carving and interacting with. He soon started to explore abstract art, tired of painting what he saw, and started painting what he felt. Eventually, he discovered that these abstract paintings were his teachers and that they existed within his instinct, side-stepping thinking. So he tried to follow his instincts. 

Around this time, Brian was also working on another illustrated novel inspired by gothic novels for about five years that just wasn't quite working. But after those four painting, Brian revisited it, and separated all the things he loved from what he didn't love in the writing. He cut almost 96% of it and a new life for his work began. This left him with random things but those things became a series of short stories, exploring his feelings of separation and loneliness during the pandemic.  

Some of the stories stopped randomly, which felt wrong but he trusted his instinct, let it happen, opening a new world of narrative in his work that leaves you with questions, rather than answers. Then, slowly he made connections for these stories and then made illustrations to elevate this new exploration of his expression. In acknowledging the part of his story that wasn't working, and then letting them go and focusing on what it was that i love, and trusting my instincts, he was able to create his book Kaleidoscope. 

Kaleidoscope being built out of the books before it, Brian next explored The Invention of Hugo Cabret, taking us just a little further back. 


Also born from a series of things that he was told would be wrong or he was afraid would be wrong or felt wrong turned out to be the things that led to his great discoveries. In the spirit of The Invention of Hugo Cabret, Brian's "inventions" were built on the history of all of the books that came before him that he loved.

His good friend, the late Maurice Sendak, after reading a care package of Brian's books, told Brian that "you can draw which isn't true of most illustrators but none of these books show the potential in you that I see in you." Basically, "make the book you want to make, make the book that tells the story that you want to tell." This made him think...what is a story that I could write? Again, he visited an idea he had years prior.


Inspired by the filmmaker Georges Méliès, who Brian discovered had a collection of automatons from the book Edison's Eve by Gaby Wood, he instantly saw, almost like a movie in his mind, a boy climbing through machines, finding one and fixing it. He spent the next three years exploring this idea to try and discover who that boy was and his story. Hence The Invention of Hugo Cabret was born. The collision of bookmaking and moviemaking inspired him and he finally realized that for the first time.

"A thrilling picture book not only makes beautiful single images or sequential images, but also allows us to become aware of a book'a unique physical structure, by bringing our attention, once again, to that momentous moment: the turning of the page." - Remy Charlip


The story grew and grew and after doing tons of research, he found a real automaton at the Franklin Institute that was broken in a basement where when introduced to a real mechanical genius who became a big inspiration for Hugo, introduced him to the institute where he fixed the automaton. This automaton was able to draw six different pictures and three poems in two languages.

After that experience, Brian realized that "when you're really following your instincts, and you're allowing the world to come to you, again and again, the exact thing that you need happens to show up, but you'll have to be ready for it."


Which segued to The Houdini Box, his very first book. 

The Houdini Box began as a project he did in college, when he was a freshman. Growing up he loved Houdini, so with Houdini as the class prompt, he wrote a story about a kid who wanted to meet Houdini, something he would have loved to do as a kid. When he was about 24 or so, post graduation, and after another series of door shutting in his face, he decided to revisit the thought of being a children's book writer and illustrator, something he rebelled against and revamped his freshman year project.

He started to mail them to different editors and he was approached by one editor who wanted to publish the book but Brian would have to change parts of the book. Brian did not budge and ended up turning down the editor. Knopf ended up publishing the book and his clear vision was able to be published in the way he saw the narrative. But it was a lesson in standing up for what you know is right with your work but also to recognize when another's idea is better. 

"What's wrong can be the doorway to finding exactly what's right. and it's even better when we can walk through that doorway together." - Brian Selznick

About Brian Selznick

Brian Selznick is the author and illustrator of many books for children, including The Invention of Hugo Cabret, winner of the Caldecott medal and the basis for the Oscar-winning movie Hugo, directed by Martin Scorsese. His book Wonderstruck was made into a movie of the same name by Todd Haynes. His book Big Tree, inspired by an idea from Steven Spielberg, was named one of the best books of 2023 by the New York Times. The Grammy nominated audiobook of Big Tree is narrated by Meryl Streep. His newest book Run Away With Me is his first Queer young adult romance. Brian and his husband divide their time between San Diego, California and Brooklyn, New York. WEBSITE: www.thebrianselznick.com INSTAGRAM: @thebrianselznickthebrianselznick.com

Thursday, July 31, 2025

UnBanning Books: Bold Creators Take a Stand - Keri Lambert / Dan Novack / Laurent Linn

 



Laurent Linn: 
"It affects us all, no matter what state or country you live in" 
Book bans can be overwhelming to understand and easy to feel helpless against. But as our moderator, Laurent was there to discuss the current state of book bans and acquire tools to fight back. 
"But don't forget, there is much hope."



Laurent Linn: Let's start with introductions. Tell us who you are and what brought you to speak on this panel?

Keri Lambert:  
Keri Lambert is the Vice President of the Rutherford County Library Alliance in Rutherford County, Tennessee. In 2023, Rutherford County had a decency ordinance go into effect that basically made it illegal to be homosexual in public. Keri knew that that was not good, and thought everyone would be out marching in the streets, and nobody was. Then she realized they were using that decency ordinance to start censoring our libraries. That is when Keri, along with her comrades, started Rutherford County Library Alliance. They started with their public library board, then their school board who started to ban even more books. They have been fighting on a local and state level, as most of the fights that are local are coming from state law. RCLA has testified and were able to stop two of those anti-library bills from passing which they celebrate those wins because there's so much. Tennessee has had nearly 1,400 books removed in the last year. RCLA are here to support their librarians because the librarians are being "threatened, harassed, intimidated. And they can't speak up for themselves. So we exist to support our librarians, as well as support our community. And the freedom to read."

Dan Novack:
Dan Novack is the Vice President and Associate General Counsel at Penguin Random House and it's been his privilege to work on book bans the last couple years. They are plaintiffs in four lawsuits at the moment, in three different states. They are supporting about a dozen other cases nationwide through information sharing and helping to connect people. 

"We've been trying to help states that want to do the right thing, to channel that instinct in a productive way. We've been trying to talk to states that are trying to still do the bad thing, don't get me wrong. They're hard to dissuade."

He spoke about Rhode Island recently passing a bill. There's no models that were existing for how to pass a good law for Freedom to Read and though it is kind of assumed because of the First Amendment, and that you wouldn't need a fancy state law for it, now is no longer the case. 
It's been "eye-opening" the last couple years but they've been involved in writing and helping to support these bills, and other "little rays of sunshine" in an otherwise difficult environment.

Laurent Linn: What is book banning? What does that mean? It's a general term that is used accurately, and inaccurately. There's challenges, there's censorship. There's a lot of discussion. Can you break this down?

Keri Lambert:
"The media really likes to use the term "book banning" but I've been working really hard here on classifying it as restricting access to information...You're guaranteed the right to access information." 

And some people might respond that it isn't "banned" if you can order it on Amazon but that sentiment comes from a privileged place because not every child has the opportunity to go to a store, or money to order books. And they are put at a disadvantage to access those materials due to the lack of resources. You have a right to browse. You can't prevent anyone from accessing what they want. So, we really like to rephrase it to restricting access to information, and you can't do that.

Dan Novack:
"We're getting calls from academic buyers, asking 'Do you have a safe list? Can you give me a list of the books that are not going to get anyone in trouble here?' And, you know, our response is 'If we gave something like that to you, that would imply the existence of the dirty list, right?"So, they haven't supplied a list like that, but that's the pressure they're feeling. 

Four years ago, during the Black Lives Matter protests, it really intensified. That is when Dan saw the earliest book bans on college campuses, where authors were getting disinvited. And then it metastasized into what we're seeing now, venturing out into anti-LGBT, where "sex" is being treated as a special category of material. "That is ostensibly neutral, but it is really just this one neat trick that they figured out can eliminate all the LGBT books, because they're coming-of-age stories" which may have some sexual content. And so, what it amounts to is a flattening. It says everything about sex is conceptually inappropriate. When you eliminate a book with a single reference to sex, regardless of what context it's in, regardless of what else is in the book, that book has to be pulled in states like Iowa, Idaho, Florida. Utah, South Carolina—the list goes on and on. 

They don't care that that creates a list of hundreds or even thousands of individual titles in those states. It's like a nuclear bomb that they drop, because they're really upset about a handful of titles that the conservative movement, Moms for Liberty, has deemed unacceptable for anyone. It's this outsized reaction. 

And people don't understand or appreciate that kids don't buy books. They require intermediaries- that's parents, educators, librarians. It's a trusted category of people. Nonetheless, they're being disempowered, and because they are the intermediaries, people don't understand that the livelihood of the children's book author and illustrator community is in these spaces. And if you eliminate their right to access the material, in the way that they are supposed to access it, it's coming after free speech.

And on the flip side of it, as authors and illustrators, you really are supposed to have the right to do whatever you want, unless it touches a very specific category. Which is pornography, or better understood in the law, as obscenity. So that is why you see the word pornography thrown around, because it takes the First Amendment out of the equation. And once it's out of the equation, we can do what we wish with it. We can ban it, we can criminalize it, even. And so that is why everything gets shunted into that category, because otherwise the author and illustrator have the First Amendment right. And their right to speak is co-extensive with the right to be read. That's your right to access the material, your right to speak.

And the work is calibrated for the understanding and comfort of the grade it is intended for. These challenges don't care about the work of the authors and the publishers to make sure that the material's calibrated for their intended audience. They don't care that there are professional reviews. So it's all about flattening and making it a binary. Sex or no sex.

Laurent Linn: Lightning round. Words of hope.

Keri Lambert: 
"First of all, show up. I swear it makes a huge difference. Just show up. At your local public library, board meetings, school board meetings, committee meetings, your state legislator."
"Show up, hold a sign, put your hand up. I held my hand up for an hour, and they gave me 3 minutes on the floor to speak to them."
"The other thing that really helps is to get a library card. Get multiple library cards for all the libraries in your area, and check books out. Check out the books that have LGBTQ+ themes. Get books that are written by persons of color, that are telling whatever stories tend to get restricted in your community. Sign them out regularly. Get your friends to sign them out, because circulation numbers can affect whether a book is removed from your library or not. So, get a library card and check out books."

Dan Novack:
"Talk to kids. There are high school students that are plaintiffs suing their state governments. I think for the first time ever. They're the brightest, most impressive young people I've ever met. If we can just turn over this country or this planet to them, like, mildly intact, they will do great things with it. So the more we look to the young people to talk about what they want to see and read, and how they know how to think for themselves."

"Hear from the kids directly. We're all talking about kids, but we don't really bring them into the conversation a lot. But there are people in your communities that are outstanding self-advocates themselves. And they're incredibly energizing to be around, and part of my ability to sustain the work that I've been doing emotionally is that I love these kids."

Laurent Linn:
That's a wonderful note to end on, and they are also our superheroes. That's why we do what we do. Thank you all. This has been enlightening, inspiring, horrifying, everything we can think of.
But so important, and truly, your expertise and everything you've all had to say is invaluable. Thank you.

Sarah Baker: 
Thank you, everyone. Um, your passion on the topic just made it so powerful. We all have more to talk about with everyone in your community, in your circles, and I just want to echo what everyone said, to get out in real life. Take any kind of action. Especially after hearing all of the very real repercussions of restricting access to information for young people. Thank you all so much!

There was so much to cover so don't forget to catch the full video in a day or two on SCBWI's YouTube Channel!

Below are some resources shared within during the Zoom panel. Get involved, speak out and take action! 


RESOURCES







Saturday, February 10, 2024

Networking Party

 Networking Party

After a great morning, full of so much information, connection and tons of note taking, the members all gathered to the Trianon Ballroom for some food and drink.

There were tables set up all around the ballroom for each regional chapter, helping everyone meet one another in a more personal way. Members were able to exchange cards, ideas and inspirations over yummy food and complimentary drinks.  I personally lived by the dessert table! During a conference like this, it is great being able to connect one-on-one!

I met some many fantastic people and the time flew by so fast, priming us all to move into our chosen socials immediately after. 

I always look forward to the networking party and socials, because the conference can be overwhelming and making/having a friend alongside you makes it so much easier!