Diane Muldrow: pacing the picture book

Diane Muldrow

Diane Muldrow is the editorial director at  Golden Books/Random House, editor of Little Golden Books, a sweet, classic line for preschoolers, and the author of the smart and elegant WE PLANTED A TREE (as well as many books about Barbie, Bambi, Pinocchio and other favorite characters).

She started off our intensive session on picture book pacing by sharing a little of her background, including the fact that she was once a professional dancer who performed au naturel on a famous New York stage.

“Anything is a cakewalk after you’ve performed naked,” she said.

Anything, perhaps, but picture-book pacing. During the three-hour master class, she shared a terrific list of tools we can use to make sure our manuscripts unfold in the right way on the page.

Pacing is a central challenge of picture books.

"You have to fit information and good storytelling and beautiful pictures into a very specific format."

Trade picture books are usually 32 pages, while Little Golden Books are 24, for example.

She encouraged us to take a trip to the bookstore or library and really study the formats, taking ownership over what we're writing.

“This is your lump of clay when you’re working on it. It belongs to you because it’s your idea. What I want to see more of … is when writer hopefuls don’t take enough ownership of their idea, let alone their manuscript," she said.

Once you've figured out your format, think in pictures, and don't be shy about including art notes that are essential to conveying your vision. (Non-essential ones are coincidental details, such as the color of a character's shoes when that is not of thematic significance.)

The best picture books come from thinking visually, she said--something most writers don't really do.

In addition, keep the page turns at the top of mind. “In a picture book, it’s all about the turning of the page,” she said. That's what gives a story its building sense of suspense, and what keeps the child on the lap--the one we're writing for--engaged.

As you work, consider using these tools:

• Start your story with an opening spread (putting all the title information on that right-hand page).
• Consider paging the story out as you go. Tip: The illustration should be of whatever is the first line of text on the new page.
• Have images in mind and write to them. No talking heads. If you can't see the art, that's maybe a cue there's not enough happening visually in your idea.
• Write in a way that reaches a very young ear.
• If you get stuck as you're writing, figure out your last line? You want one with impact: beauty, humor, or some other thing.

She handed out the text for a Golden Books story called THE MERRY SHIPWRECK and gave us 45 minutes to paginate it and make thumbnails using a 24-page dummy. The task was hard enough that I had to give myself a little break for blogging, lest my eyeballs melt down my cheeks.

But it was challenging as the exercise was, it's a revolutionary way for writers to take their work to the next level. If you have a chance to take a master class with Diane, do. She's a master of the format and a compelling teacher as well.

Spot Yourself! Autograph Party Photos Part 2

Author Jill S. Alexander and author/editorial director Diane Muldrow rock summer color

ARA for Western Washington Kim Baker is STILL full of vim and vigor after four days of conferencing

Author/illustrator Richard Jesse Watson, author Ann Whitford Paul and illustrator/author Jesse Joshua Watson are just like family. Wait, Richard and Jesse ARE family.

Our hero, SCBWI dude and debut author Aaron Hartzler, pop and locking in the LOBBY

Author and Utah RA Sydney Salter holds up titles from Gordon Korman and Carolyn Mackler

 Illustrator/Author/Graphic Novel Slayer Dan Santat and author Tammi Sauer are sad the conference is over. Don't worry, you guys, there's the winter conference in New York to look forward to!

That's better.

Premium Workshop - An Editor Over Your Shoulder: Polishing Your Picture Book with Diane Muldrow

photo from http://patricianewmanbooks.blogspot.com/

Sat in on the first session of Diane Muldrow's Premium Workshop yesterday, and I am really excited for those 20+ attendees. They are going to get some ultra-polished picture book manuscripts out of these hours with Diane. And not just traditional, 32-page hardcover trade manuscripts. Diane is teaching the group about board books, Golden Books, novelty books, all sorts of formats.

Diane starts with a history of her career as a children's book editor and an author. She invites the class to reformat their manuscripts the way she lays them out, which is, at times, a radical departure from what most of us have learned is industry standard formatting. The caveat, however, is you do this only on your personal copy of the manuscript to see how it informs your self-editing. And all authors must self-edit, says Diane, so who better to teach us how than an editor!  Her ideas are superb, making authors who don't draw think visually, mapping out every single page turn and writing up all possible illustrations ideas.

The class looks at the evolution of Diane's book, WE PLANTED A TREE. A gorgeous hardcover illustrated by Bob Staake. She hands out a copy of her original manuscript. A story she thought about for ten years before actually putting pen to paper. Diane credits the powerful ideas and images in Nobel Prize winner Wangari Maathai's book about the Green Belt Movement in Kenya as being the inspiration behind WE PLANTED A TREE.

The next few sessions, attendees will be doing in-class exercises using existing picture book texts as well as their own manuscripts to learn about format, pagination, and art notes. Diane says all stories start out as lumps of clay and she's going to provide tools (like how to have good flow, suspense and mood in your story) to help attendees edit themselves and build stronger books.

This is going to rock! It sold out on the first day of conference registration, so here's hoping they do this again.

One attendee I recognized from my local SCBWI WWA was John Deininger. Check out his artwork in the portfolio show tonight, or on his site.