The Art Directors Panel Has Begun!

The #scbwiSummer22 Art Directors Panel is titled "The Changing Landscape in Children's Book Illustration"

Moderated by Pat Cummings, 

Pat Cummings

the panelists introduce themselves one-by-one:

Sharismar Rodriguez (Macmillan Children's Publishing Group)

Jasmin Rubero (Kokila)

Marikka Tamura (G.P. Putnam's Sons)

Sophie Paas-Lang (Tundra Books)

Look for individual blog posts with details on each of the art directors!

Q&A With SCBWI Illustrator Advisory Committee

Last event of today: Q&A with the SCBWI Illustrator Advisory Committee: Peter Brown, Priscilla Burris, Pat Cummings, Laurent Linn, Cecilia Yung and Paul O. Zelinsky. They also invited two Illustrator Coordinators to join in: Dana Carey (Global Illustrator Coordinator) and TeMika Grooms (U.S. Illustrator Coordinator).

One of the frequently asked questions was to how illustrators could submit their work to Laurent and Cecilia, and Laurent gave specifics during the session as well as posting info in the chat.

Some of the other topics discussed:

Topic: Is it ok to submit a picture book as an author-illustrator team rather than separately?

Cecilia said that while most art directors and editors prefer finding their own illustrators, she says it's fine to submit as a team. However, she points out that if they don't like either the art OR the writing, you're more likely to get a rejection. Also, be wary of coming across as too controlling, which may turn off potential publishers.

Topic: Is it ok if I post multiple art styles on my website?

Priscilla says it's ok to show multiple styles on your website as long as it's well organized.

Cecilia says she only wants to see things "that you're really really good at." Be honest with yourself about your strengths and weaknesses re: techniques and styles. She points out that if you're unable do this, then an art director may wonder if this would affect your work while illustrating a picture book.

Laurent advises illustrators against trying to emulate styles that you think others want to see. "You be you." Paul Zelinsky strongly agrees. He says that if you try to be like everyone else, you're less likely to be satisfied in your career down the road.

Topic: How do I find out which specific people at a publisher who might like my work?

Pat advises looking at current books that you LOVE, then you have a better chance of finding an editor and art director who might have the same tastes. Pat says  The Original Art catalog may help track down this info.

Topic: If a publisher is closed to unsolicited submissions, does that also apply to art?

Laurent says not necessarily. He points out that he welcomes postcard samples at any time, for example. 

Topic: Where can I find critique groups?

TeMika Grooms encourages illustrators to reach out to their regional groups and get involved with their local critique groups. She also says to check The Book (mentioned in next paragraph) for useful info as well.

Other takeaways:

Dana Carey strongly recommends illustrators check out The Book: The Essential Guide To Publisher For Children, available as a free PDF (for members) on the SCBWI website. The Book has a TON of essential info covered in the Q&A, critique groups, publishers, etc.

TeMika Grooms: Stay the course. Make sure you keep work on improving your craft. Remember self-care. Take breaks, but don't let the breaks go too long.

Paul Zelinsky: When you feel stopped or discouraged, try some new art material. Even if you're not planning to use it for your book illustration work, it can help jumpstart your creativity again.

Pat Cummings: Find your community. She also encourages illustrators to attend regional conferences, which could be a great way to meet people in the industry you want to work with. Do what you love, put it out there, and believe in yourself. 

Priscilla Burris: If you're blocked, try putting on some music you loved from your early teen years (or earlier!); sometimes this can help bring out a different part of you that you've forgotten. Don't be predictable. Be you. Let the characters speak to you as you sketch daily. Let them move you.

Peter Brown: Don't be too precious about your work. Remember that publishing is a business. Be able to take constructive criticism. Be an idea factory. It won't be as painful if you're rejected if you have lots of ideas.

Cecilia Yung: Remember that the eyes are the windows to your soul. Eyes, eyebrows, eyelids, directionality. Squeeze as much emotion as you can from the eyes. If you're having a challenge, then you should rethink how you draw eyes.

Laurent Linn: It all comes down to purpose. What do you have to say, and why do you want to say it? That is what is going to make your art stand out. 

And that's a wrap on today's programming!

Pat Cummings is the 2017 SCBWI Member of the Year!

Pat Cummings accepts her  2017 SCBWI Member of The Year Award

Pat Cummings is the author/illustrator of over thirty-five books for young readers...

The editor of the award-winning series Talking With Artists, which profiles prominent children's book illustrators...

A teacher at Parsons and Pratt, and her children's book illustration class has a growing number of notable illustrator/authors among its graduates...

A member of the SCBWI Board of Advisors...

A member of the boards of the Authors Guild, the Authors League Fund and the Authors Guild Foundation...

A champion of Diversity, WeNeedDiverseBooks, and Literacy...

And now, Pat Cummings is our 2017 SCBWI Member of the Year – Congratulations, Pat!

Diversity Social at #LA17SCBWI

Did you check out the Diversity Social at #LA17SCBWI?

The Diversity Social began with remarks about We Need Diverse Books by Sona Charaipotra, Miranda Paul, and Linda Sue Park, followed by greetings from some of WNDB's founding members and SCBWI faculty support.

I loved hearing about the successes of their mentorship programs and advocacy programs -- from partnerships with the Scholastic Book Club to measurable results of WNDB's mentorship program. 

An attendee asked how they can support diverse authors if they are not from a diverse background. The committee suggested:

• Buy and read diverse books, and support those authors.
• Talk about diverse books; promote those authors and their books.
• Advocate for diverse voices to be represented at events or programming you're involved in.
• Write and illustrate characters from diverse backgrounds. Pat Cummings asked: do your characters default to a specific ethnicity or background?
• Mentor with WNDB, if applicable. (generally looking for authors with multiple books published in a particular genre.)

After the Q&A, there was time to mingle. I enjoyed chatting with first-time conference attendees / authors Traci Sorrell, Lindsey Metcalf, and Madonna Bock [from the KS/MO chapter]; agent Stefanie von Borstel of Full Circle Literary; Executive Art Director Cecilia Yung at Penguin Random House; and many others at this thoughtful, relaxed gathering.

You can sign up for the WNDB mailing list to be notified when mentorship applications are available.

Check out WNDB's new book discovery app called Our Story

The Diversity Social at #LA17SCBWI

Linda Sue Park, Alex Gino, and Miranda Paul share the scoop on the diversity social happening Saturday lunchtime in these interviews on SCBWI: The Blog! 

Hope to see you there,
Lee

Books For and About Diverse Kids: John Parra, Don Tate, Lisa Yee, Stacey Barney, and Pat Cummings

Right to Left: Pat Cummings, Stacey Barney, John Parra, Don Tate, and Lisa Yee

In this discussion-based breakout session, we have multiple perspectives from different parts of the children's literature community:

Pat Cummings, author/illustrator of over thirty-five books for young readers (and Board member of SCBWI, the Authors Guild, and the Eric Carle Museum of Picture Book Art, among others.)

Stacey Barney, Senior Editor at Penguin/Putnam Books for Young Readers

John Parra, Golden-Kite winning illustrator.

Don Tate, author and illustrator, winner of the Ezra Jack Keats Award.

Lisa Yee, author of 16 books and winner of the very first Sid Fleischman Humor Award.


Some highlights:

Stacey Barney:
"Write organic stories." Sometimes she finds that it's almost as if writers are checking off boxes for diversity with their diverse cast of characters, but "character shouldn't feel like categories."

John Parra:
"Be respectful. Show it to others who are part of those communities. Make sure authentic is how it's portrayed."

Don Tate:
"Study. Research. Vet. ...Make sure you're not exploiting the topic."

Lisa Yee:
You can write outside your experience "but you have to get it right."

The panel are telling us fascinating stories, like Lisa sharing how her Millicent Min (in 2003) was the first middle grade book with a photo of an Asian American kid on the cover.

Don shares about doing a school visit when he was asked by a 5th grade class if he only illustrates Black people, and how he asked the two African American boys in the class if they felt like they've read books that represented them - and they said no. So he turned to the rest of the class and explained that he's made it his mission, he's built his whole career, to create positive portrayals of people that look like those two boys… and the whole class clapped.

Stacey tells us about teaching (elementary and preschool and high school), and reading picture books to the kids, and how she made an effort to choose picture books that reflected their experience. "Kids are kids."

Pat speaks of her school visits, and how kids pick up books out of curiosity. She shares how she was asked once by a British author why she only does books with Black characters. Pat countered, asking the British author why they only created books with British characters…

John speaks of how he sees diverse books being published, but the awards and reviews and the best lists of the year aren't that diverse. After they've published, how do they get recognized and supported?

They cover editorial staffing (and the importance of diversity in staffing across departments, including marketing, publicity and sales), being vetted by additional experts, and much, much more.

Pat Cummings & Cecilia Yung- Illustrator Tips: On Portfolios and Promotion

Cecilia Yung, art director and vice president of G.P. Putnam's Sons and Philomel Books, and Pat Cummings, teacher and creator of over 30 books for children, are imparting some wisdom about illustrators' portfolios and promotion. As art director and artist, they offer differing perspectives on portfolios and promotion.

They point out that many items we'll discuss in the session are subjective, and Cecilia tells the group that our challenge for the weekend is to find out what the "rules" are, and figure out how to break them to our advantage. So, the session is offering some great rules—but if you break the rules, you better do it successfully!

Cecilia and Pat provide a detailed and rather specific checklist for the group, which covers topics that are important for any illustrator, beginner or experienced. The topics listed are:
Portfolio
Promotional Piece
Website
Research
Making Contact
Agents

Among many great pieces of advice given at the session is this one from Cecilia—she advises illustrators not to "throw words" at her, but to give her a paragraph of cohesive images.

Cecilia and Pat show the group a few examples of really successful illustrators' websites, two of which are Dan Yaccarino's and Sophie Blackall's.
danyaccarino.com
sophieblackall.com

At the end of the session we have some Q & A, and one of the questions is:

Should illustrators contact Cecilia with SCBWI in the subject line of their email?

Cecilia's answer: Yes, and having really great art attached will catch her eye, too!