You'll have to jump on it to get a space in the Illustrator's Intensive,
Developing a Believable and Engaging Cast for Your Picture Book
With the day’s faculty: Sophie Blackall Author/Illustrator, Peter Brown Author/Illustrator, Priscilla Burris Author/Illustrator, Pat Cummings Illustrator, David Diaz Illustrator, Laurent Linn Art Director, Simon & Schuster, Cecilia Yung Art Director Art Director & Vice President, Penguin BFYR, and Paul Zelinsky Illustrator
It's a full day drawing session. Bring drawing material and a 8-1/2” x 11" pad and tracing paper!
And there are just a few spots left in these craft intensives,
School Visits – the Crash Course, with Suzanne Morgan Williams Author / Bruce Hale Author (All Day)
In this hands-on intensive, Bruce Hale and Suzanne Morgan Williams coach you in taking your school/library presentation to the next level. They’ll cover planning, marketing, performance, curriculum tie-ins, and everything in between. You’ll even be videotaped and receive feedback on a brief excerpt from your presentation. Assignment: Please bring a five-minute talk to share, plus: your latest book (or ARC), any marketing materials, and a prop (small enough to fit in a shoebox) that represents you and your work.
Supplementing Your Writing Income, with Bonnie Bader, SCBWI PAL Advisor (Morning)
Are you in between projects, or waiting for a contract? This class will give you concrete ways to supplement your writing and illustrating income. Learn how to get writer/illustrator work-for-hire, and come away with a list of publishers to contact for work. In class exercises include writing query letters, writing to a publisher's specifications, and more!
Novel Writing: Soup to Nuts with Stacey Barney, Senior Editor, Penguin/Putnam (Morning)
In this session, Stacey Barney will guide you through a comprehensive overview of novel writing devices. It's always helpful to bring a work-in-progress so that you can apply each technique and device to your own work during the discussion. Stacey brings her editorial expertise to help each participant discover what is working with their manuscript and what can be improved.
Writing Voice – Speak Up, I Can’t Hear You, with Kat Brzozowski, Editor, St. Martin's (Morning)
You’ve come up with a plot. You’ve created characters. You have a setting. Now how do you make your readers feel like these characters are really speaking to them? Voice is one of the most important elements of fiction and one of the hardest to master. In this session, we’ll work hands on to improve voice in fiction, with a focus on young adult fiction (and techniques that also apply to middle grade). By reading and discussing how authors create voice on the page and working on our own writing to sharpen our voice, this session focuses on writing that really brings your characters’ individual personalities to life.
The Ins and Outs of Writing Middle Grade Fantasy, with Bruce Coville, Author (Morning)
The session begins with an "annotated storytelling" that will analyze a piece of fantasy writing from the macro to the micro—discussing everything from mythic structure down to the reasons for specific metaphors and word choices. Then we'll examine ten specific tactics to employ while writing middle grade fantasy. We'll conclude with some critiquing, as time allows. Assignment: Please bring a work-in-progress.
Crafting Your Novel’s Narrative: The basics of structure, voice, character, and plot, with Alvina Ling, VP & Editor-in-Chief, Little, Brown (Morning)
Whether you’re just starting out, or in the revision stage of your novel, this intensive will give an overview of the four basic elements of your narrative. This workshop also aims to help you work through and brainstorm around any specific issues your having with your novel’s narrative. Assignment: bring an issue you’re having in your work-in-progress that deals with either structure, voice, character, or plot to discuss and talk through with the group. Optional: Read both Where the Mountain Meets the Moon and Starry River of the Sky by Grace Lin.
Revising and Re-Imagining Your Picture Book, with Harold Underdown, Publishing Consultant (Morning)
Picture books are so simple, but often need to be revised or even re-imagined many times before they are just right. Drawing on our years of experience as independent editors, and in-house children’s book editors in New York before that, Eileen Robinson and I developed this workshop to help writers do just that. This workshop will teach you techniques to enable you to find problems with your picture book manuscript, reshape it, even re-imagine it, and then polish it before you send it out.
Poetry: From Picture Books to Verse Novels, with Carole Boston Weatherford, Author/Poet (Morning)
Examine how narratives unfold through poetry. Consider how poets choose language, channel voices, evoke settings and use structure. Practice creating tableaux, experimenting with structure and writing from different points of view.
Put Your Best Foot Forward: Looking at that crucial first page, and making it better, with Victoria Wells Arms, Agent, Victoria Wells Arms Literary (Afternoon)
Sometimes writers start in just the right place, and sometimes the best opening line or scene is hiding on page 27. Some authors seem to think a prologue is the only way to really get their point across. How are you going to hook that reader–any reader–into dying to know more? In this three-hour intensive, Victoria Wells Arms, former editorial director now agent will look at both your first page, and the place you think might actually be a better first page, and we will discuss the various options in how you start a novel (chapter books thru YA, no picture books here). Assignment: Send in the first two pages of your current work-in-progress to firstname.lastname@example.org, and, if you like, the other place that you think might be an alternative starting place, two additional pages max so I can read ahead of time. We are going to have to stick to 5 mins total for each participant.
Build Your Social Media Presence, with Martha Brockenbrough, Author (Afternoon)
Learn the differences between Twitter, Facebook, Instagram, and Tumblr, and get down to the brass tacks of how you can use each to: build authentic relationships with a variety of readers and power connectors; increase your platform without increasing your workload; and share your books without clobbering people over the head with tone-deaf marketing messages. We’ll focus on best practices for each social media platform, tools you can use to create images that resonate, and website platforms that let you integrate all of it seamlessly. Assignment: Please bring a laptop and 2-3 favorite quotes from your books or about writing.
Why Did You Do That?: Creating Strong Characters to Push Your Plot Forward, with Matt Ringler, Senior Editor, Scholastic (Afternoon)
In this intensive we will take a close look at character motivation through dialogue and back story and how to use that to advance your plot. Will include several (fun!) writing exercises. Assignment: Please come with three characters from books, television, or movies that you find to be particularly strong (whether you love them or hate them!)
Revising Your Chapter Book or Novel, with Harold Underdown, Publishing Consultant (Afternoon)
What happens after you write your first draft of a novel or chapter book can be the most important and most difficult part of the writing process. Based on my own work with writers, this workshop teaches proven techniques to get useful feedback and others, dig into "big picture" problems with your manuscript, and refine it at the sentence level.
It's going to be an amazing conference, and the intensives promise to be game-changers for your craft and career. You'll find registration and all the other conference info here.
We hope to see you at #LA16SCBWI!
(Cross-posted at scbwi.blogspot.com)