Showing posts with label jessixa bagley. Show all posts
Showing posts with label jessixa bagley. Show all posts

Friday, August 5, 2022

Keynote: Jessixa Bagley

JESSIXA BAGLEY is a children's book author-illustrator with a background in fine arts and comics. She has written and illustrated many award-winning picture books including: Boats for Papa, Laundry Day, and Daisy. Jessixa also teaches and speaks about writing and illustration. 

11 Things I've Learned in 11 Years

It has been 11 years since Jessixa's first SCBWI conference. She shares 11 things she wished someone had told her. 


  1. Nobody's path to publishing is the same. 
  2. If you're not published yet, you're not ready. (read the additional note below)
  3. Never stop reading picture books.
  4. Making books is collaborative. 
  5. Making books takes more time than you would think. 
  6. Allow yourself to evolve no matter how scary it feels. 
  7. Put yourself into your work.
  8. You'll always be hustling.
  9. It isn't always about just making books. 
  10. You'll always be able to find somebody to discourage you.
  11. If you love it, pursue it regardless of the outcome. 

Regarding #2: In the Q&A Jessixa wanted to make it clear that she didn't mean that if you're not published your not ready, but that you have to put your work in front of the right people. She noted that you can't put the cart before the horse and submit when your work isn't there yet. The note here is not to rush. Give your story the time it needs. 

Saturday, July 30, 2016

Ingredients of a Successful Picture Book: Jessixa Bagley and Don Tate



Jessixa Bagley and Don Tate took part in our panel on picture books. Jessixa is the Golden Kite winner for picture book texts, and Don has won numerous awards for his critically acclaimed texts and illustrations.

What makes a picture book successful? 

There's a sense of completion to it, Jessixa said. It doesn't assume that the reader has knowledge about the subject. There's nothing left hanging. It's like an amuse bouche, a perfect bite. She's also drawn to books with a really deep meaning—a meaning that can be joyful too.

Don loves it when people can flip through his book and know the story by the pictures. He loves making emotional connection with readers. We connect with our readers through emotions. Page turns help guide readers from left to right through the story. "I like it when the illustrator has really done their job ... and you want to linger and live in that space for a while."

When it comes to developing stories for markets 
Don doesn't illustrate books differently on whether they're commercial or more for libraries. Don loves to illustrate books about little-known historical figures, which typically puts his books into the school/library market. This lets him do more school visits.

Jessixa also doesn't think about making books directly for markets, and thinks that books with emotional content can be really useful in school markets.

What collaborations help? 
Don is in several critique groups. They help him make his manuscripts stronger for agents.

Jessixa says you should treat your work like a baby egg. Nurture it until it gets a little more solid, and then you can share it. You won't be as hurt by the feedback. It won't be as bruising. It will be able to hatch. "We've all had the experience where you work on something really hard and you show it to someone and they don't respond to it, and you're gutted."

Advice: 
Don: Be sure to keep your stories child-focused. It's important to engage a child by beginning in childhood. Children like to see themselves represented on the first page of a book. He's not a fan of labeling books by gender. Sometimes, books appeal more to boy than to girls. But you don't need to labels. "Let the readers find them where they will."

Jessixa wasn't a girly girl. She wasn't a tomboy. She was just herself, so she gravitated toward identity-neutral things. There is universality to her work that she wants to extend. "I have a hard time with the fact that there are pink LEGOs and those are the girl LEGOs."

"Allowing the space to have things appeal to more people, whether it's gender or diversity, is going to make us all a lot stronger."




Ingredients of a Successful Picture Book: Jessixa Bagley and Don Tate



Jessixa Bagley and Don Tate took part in our panel on picture books. Jessixa is the Golden Kite winner for picture book texts, and Don has won numerous awards for his critically acclaimed texts and illustrations.

What makes a picture book successful? 

There's a sense of completion to it, Jessixa said. It doesn't assume that the reader has knowledge about the subject. There's nothing left hanging. It's like an amuse bouche, a perfect bite. She's also drawn to books with a really deep meaning—a meaning that can be joyful too.

Don loves it when people can flip through his book and know the story by the pictures. He loves making emotional connection with readers. We connect with our readers through emotions. Page turns help guide readers from left to right through the story. "I like it when the illustrator has really done their job ... and you want to linger and live in that space for a while."

When it comes to developing stories for markets 
Don doesn't illustrate books differently on whether they're commercial or more for libraries. Don loves to illustrate books about little-known historical figures, which typically puts his books into the school/library market. This lets him do more school visits.

Jessixa also doesn't think about making books directly for markets, and thinks that books with emotional content can be really useful in school markets.

What collaborations help? 
Don is in several critique groups. They help him make his manuscripts stronger for agents.

Jessixa says you should treat your work like a baby egg. Nurture it until it gets a little more solid, and then you can share it. You won't be as hurt by the feedback. It won't be as bruising. It will be able to hatch. "We've all had the experience where you work on something really hard and you show it to someone and they don't respond to it, and you're gutted."

Advice: 
Don: Be sure to keep your stories child-focused. It's important to engage a child by beginning in childhood. Children like to see themselves represented on the first page of a book. He's not a fan of labeling books by gender. Sometimes, books appeal more to boy than to girls. But you don't need to labels. "Let the readers find them where they will."

Jessixa wasn't a girly girl. She wasn't a tomboy. She was just herself, so she gravitated toward identity-neutral things. There is universality to her work that she wants to extend. "I have a hard time with the fact that there are pink LEGOs and those are the girl LEGOs."

"Allowing the space to have things appeal to more people, whether it's gender or diversity, is going to make us all a lot stronger."




The Picture Book Panel Begins!


Moderated by Laurent Linn (standing), the panelists, left to right, are: author/illustrator Jessixa Bagley, illustrator John Parra, editor Susan Rich, author/illustrator Barney Saltzberg, and author/illustrator Don Tate.

Friday, July 29, 2016

Golden Kite for Picture Book Text – Jessixa Bagley

Jessixa Bagley is by far Seattle's favorite Jessixa, and she'll be yours, too. BOATS FOR PAPA is a beautiful, lyrical book and her fellow Seattleites are thrilled that she/it have received this fantastic award.

In her acceptance speech, Jessixa thanks SCBWI, her lovely agent, Alexandra Penfold, and her stellar editor, Neal Porter. Jessixa got teary as she thanked her artist/author husband, Aaron Bagley, who she says helped her find her voice.

Jessixa says, upon receiving the call from SCBWI that she'd won the Golden Kite for Picture Book Text, that her Illustrator Brain thought, "Text!? Did my illustrations suck?"

But luckily her Author Brain piped up and said, "Hey! This is great!"

Jessixa's always felt much more comfortable calling herself an artist, "Calling myself an author... Author almost seemed like a taboo word... It seems like a dream now to be up on this stage. I went from thinking I'd never be published, to being here. Writing picture books is the hardest thing I've ever done, but also the most rewarding."

I love Jessixa's inspiring, concluding thoughts to us: She says if we haven't found our voice yet, to not be scared, it's there. It might be really quiet, but the more you write, the louder it will become.

Congratulations, Jessixa!!!