Patti encourages both authors and illustrators to think of their picture books in terms of music and cinema, there should be flow and rhythm to the book, and you can play with easing the readers along with repetition and then surprising them with something wholly different.
Patti shares Me... Jane which has a very steady rhythm of illustration on one side of a page spread and text on the other, so when we get to a climactic moment in the book, we also see something different on the page—an actual photograph of Jane Goodall out in the wild.
When Patti works on a book, she understands the author/illustrator is focused on the tiny details of every page, but she tries very hard to see things globally and offer guidance there. She encourages the audience to take a step back and get allll of your pages on one page so you can see how everything is working together. She likes CALDECOTT MEDAL WINNER Dan Santat's practice of storyboarding out something successfully cinematic like a Hitchcock movie to understand storyboarding better.