Vanessa Brantley Newton attended both SVA and FIT of New York, where she studied fashion and children’s illustration. An artist swathed in retro chic, she loves all things vintage – especially books and clothes from the 40s through the 60’s – and it shines through in her designs, which run the gamut of fun and whimsical to stylish and sophisticated. She loves to add unique touches to her work, including mixed media accents, collage, and hand lettering.
Saturday, February 12, 2022
Keynote: Vanessa Brantley-Newton #SCBWIWinter22
Vanessa Brantley Newton attended both SVA and FIT of New York, where she studied fashion and children’s illustration. An artist swathed in retro chic, she loves all things vintage – especially books and clothes from the 40s through the 60’s – and it shines through in her designs, which run the gamut of fun and whimsical to stylish and sophisticated. She loves to add unique touches to her work, including mixed media accents, collage, and hand lettering.
Thao Le: Agents Panel #scbwiWinter22
Thao Le is an agent with the Sandra Dijkstra Literary Agency. She represents picture books and graphic novels by author-illustrators, middle grade fiction, and young adult across genres, as well as science fiction/fantasy and select romance for adults. In the picture book realm, she’s excited to work with illustrators who write their own picture books and is most drawn to art that is emotive and vivid. Her tastes tend towards stories that are character driven, witty, progressive, and end with a twist. In middle grade and YA, whether in prose or graphic novel format, she’s currently seeking contemporary stories that are witty, heartfelt, and authentic. She’s especially drawn to stories about family and friendships from the POV of diverse protagonists. She’s a fan of young characters who are passionate about the arts, sports, STEM, activism, and geeky fandoms. She adores stories with a touch of magic and whimsy, and is a fan of mythology and fairytales. In general, she loves beautiful literary writing with a commercial hook and tight plotting. She is actively seeking underrepresented voices (including, but not limited to, all ethnicity, sexual orientation, mental and physical health, and socioeconomic status) to her client list.
| Agent Thao Le (lower right) presents at the Agents Panel. (Also pictured is ASL interpreter Joanne Carron.) |
Thao's advice:
Define what success means to you -
- Getting published by a Big Four Publisher?
- Commercial Success? (Preorders, Bestseller lists, Earning Out)
- Awards?
- Film/TV Deal?
- Multiple Books?
and recognize that can change over the course of your career. Set your goal and communicate that with your agent.
If querying agents, look at books you love, who published them? Who represents them? Make your dream list.
If you're doing a cover reveal, include a call to action (have buy links or goodreads links available). For announcements and your website, provide easy buy links -- and diversify those links. Figure out "the shortest distance between you, the reader, and that buy link."
There is no magical number of sales that is "successful". 10,000 copies can mean a lot - but it depends on the size of your advance.
Consider longevity and your career goals. Her goal as an agent is longevity in the publishing industry.
"The best way to succeed in publishing is to keep writing."
Samantha Fabien (Root Literary Agency): Agents' Panel #SCBWIWinter22
Samantha Fabien is a literary agent at Root Literary. Before joining the Root team, Samantha worked at LDLA as a literary agent and International Rights Manager. Her background includes a Bachelor’s in PR and Journalism, a certificate from the Columbia Publishing Course, and internships/part-time work at Ayesha Pande Literary, Writers House, and Chalberg & Sussman. From these experiences, Samantha has fostered her love for sharing diverse, lasting, and inclusive stories with the world —both in the U.S. and abroad. Samantha can also be found working with events and organizations like DVcon, #Edits4BlackSFF, Gotham Writers, and the New York Writing Room among others.
Samantha was one of the agents on the "Recipe For Success In 2022 From An Agent's Point Of View" panel, which was moderated by Bonnie Bader. Be sure to check out Conference blog takeaways about other agents as well: Chad Beckerman (The CAT Agency), Thao Le (Sandra Dijkstra Literary Agency), Jem Chambers-Black (Andrea Brown Literary Agency), Samantha Fabien (Root Literary Agency), James McGowan (BookEnds Literary Agency).
Some takeaways from Samantha:
Theme of her advice throughout: Keep your eyes on your own paper.
Transparency is important. Writing is often about community and information is power. Engage and consume only what is helpful.Just because your debut book doesn't hit the bestseller list doesn't mean future books won't.
There is no secret recipe to success.
Keep your eyes on your own publishing path. Sometimes, submission takes years. Sometimes, you don't sell your first book. Not every book is for every reader.
Have realistic financial expectations. Each genre, age range and publisher have their own advance levels. Trust your agent and feel free to ask them questions.
What Samantha is especially looking for:
Samantha is actively looking for adult, YA and MG. "And I am eager to support commercial and high stakes stories featuring BIPOC, LGBTQIA+, disability, and neurodiversity representation." Find out more in Samantha's pinned tweet thread from Jan. 4th as well as MSWL (Manuscript Wish List).
Where to find out more about Samantha:
Samantha's website: SamanthaFabien.com (includes her MSL/manuscript wish list)
Linktr.ee page - Twitter: @samanthashsn
Root Literary website ~ Samantha's page on LiteraryAgentsOfColor.com.
Recipe for Success in 2022 from an Agent’s Point of View: Jemiscoe Chambers-Black, Andrea Brown Literary Agency #SCBWIWinter22
Jem’s talk was all about goal setting—something all creators need to get into the habit of doing. Jem loves discussing short and longterm goals with her clients. Also, keep in mind while setting those goals: If you happen to be writing a Golden Girl’s mystery, Jem wants be your best friend!
What are your short and longterm goals? What do those fancy writer goals look like? Imagine yourself in five, ten, twenty years from now. What does your career look like? What awards do you hope to win? Reflect on those goals and dream big!
What are your yearly goals? What can you do in a year to reach your big goal?
And this blogger especially likes this one—> Take a vacation or staycation. In publishing, burnout is real. Find your inner couch slug. Find a way to unplug, to relax.
Find your writing community and critique partners, people who will root for you when publishing tries to keep you down.
Read, read, read—and then some more. But don’t read as a reader. Read to learn. Analyze what you are reading. What do you like about a particular story—pacing? Implement that thing into your own creation. And what are you not liking about what you are reading? Do not implement that thing!
Be sure to include the staycation in your monthly goals.
James McGowan: Agents Panel #scbwiWinter22
- the standard pace of publishing
- agent/editor response times
- how many books your agent can submit at one time
- contracts and payments
- pub date and schedule changes
- sending new things to your agent
- acquisitions processes
- reading books that are currently being published
- writing new projects
- dealing with rejections
- sending new queries
- following up (abiding by query guidelines)
- growing your social media and marking prowess
- connecting with other writers and/or illustrators
- staying up to date about recent acquisitions
- learning and asking questions about the business
- not giving up
- reading!
The Agents Panel Begins! #scbwiWinter22
Paula Yoo: Keynote
Paula Yoo is a book author, screenwriter, and musician. From a Whisper to a Rallying Cry: The Killing of Vincent Chin and the Trial that Galvanized the Asian American Movement (Norton Young Readers) was nominated for the 2021 National Book Award Longlist: Young People’s Literature. Her book won the 2021 Boston Globe-Horn Book Award for Nonfiction and was selected as a 2021 Junior Library Guild Gold Standard and the 2021 Amazon Editors’ Pick for Best YA. It has received 5 starred reviews and national coverage in The New York Times, TIME, NPR, The Today Show, NBC News, and Good Morning America. From a Whisper to a Rallying Cry is also the National Education Association (NEA) “Read Across America” YA book selection for May 2022. Her other books include Good Enough (HarperCollins), Sixteen Years in Sixteen Seconds: The Sammy Lee Story, Shining Star: The Anna May Wong Story, and Twenty-two Cents: Muhammad Yunus and the Village Bank (Lee & Low Books). Her TV credits range from NBC’s The West Wing to The CW’s Supergirl, and she has sold TV pilots and feature scripts. She is also a former journalist (The Seattle Times, The Detroit News, and PEOPLE). When she’s not writing, Paula is a professional freelance violinist. Website: https://paulayoo.com
| Paula Yoo, presenting at #scbwiWinter22 |
Paula tells us she never saw Asian American representation in school or books as a child. No AAPI history was taught, and that erasure had an impact: "I felt cheated. I had lost a valuable part of not just my childhood, but my identity."
The Asian stereotypes of martial arts, being whiz kids at math and science are harmful, diminishing individual achievements and de-humanizing people. And Paula explored those ideas in her debut YA novel, "Good Enough."
Researching NF for children and teens. "Go beyond Google," and newspaper articles. For From a Whisper to a Rallying Cry: The Killing of Vincent Chin and the Trial that Galvanized the Asian American Movement, Paula visited libraries, poured through court records, newspaper articles, letters, flyers for protests, and most importantly, conducted interviews.
Through those interviews, she met Jared, the son of Vincent's fiancée (who had married someone else after Vincent was killed). Jared's discovering his family's secret became, as Paula put it, "the emotional spine" of her book.
The book has two threads - one the historical retelling of Vincent's murder, the Civil Rights trials, and the start of the Asian American rights movement, and the other Jared's perspective of discovering and uncovering his family's secret history - his Mom's connection to Vincent Chin.
Paula advises that it's really important to try to interview subjects, or people who knew them. When you interview in person, on zoom, or on the phone... you pick up tone, the light in their eyes, their emotions -- and it will infuse your work. For her book Sixteen Years in Sixteen Seconds: The Sammy Lee Story, interviewing Dr. Lee showed her his positive spirit which helped him cope with humor rather than anger.
And for her book Twenty-two Cents: Muhammad Yunus and the Village Bank, meeting Professor Yunus in person led to him opening up about his childhood, how his mother would share their food with homeless people, and how that inspired him to come up with his economic theory to fight poverty.
Setting becomes a character. Paula discusses how visiting the sites of her books gives her a visceral sensation to include in the writing.
Paula asks us to consider: What happens when we are erased? In the middle of this pandemic, research is showing that 1 out of 4 AAPI youth say they have experienced racist bullying.
Today's pandemic has seen a parallel pandemic of anti-Asian stereotypes and violence, and Paula tells us of her own experience with racism today and how it motivates her.
"Like history repeats itself, so does hope."
Just like coalitions formed back in the protests of Vincent Chin's killing and the injustice of the killers walking free, Paula cites the AAPI community joining with the Black Lives Matters movement. And today, New Jersey and Michigan are the first two states to mandate teaching Asian American history in K-12 schools.
#StopAsianHate
Finally, Paula puts out a call to our action in writing nonfiction books for kids and teens:
It is more important than ever that we make sure they know the whole truth. What happens in our past, influences our present, and what we do today influences the future - and who better to shape our future than our young readers?
Erica De Chavez (HarperCollins): Art Directors' Panel #SCBWIWinter22
Erica De Chavez is a Filipino-American children's book designer at HarperCollins Publishers during the day. By night, she is a freelance illustrator, designer, and storyteller. Born and raised in Kissimmee, FL she now calls Brooklyn, NY her home.
Erica participated in the panel, "Recipe For Success in 2022 From An Art Director's Point Of View," which was moderated by Laurent Linn. Be sure to check out the takeaways on the Conference blog of the other art directors, including Maria Elias (Penguin Random House), Kristen Nobles (Charlesbridge), Lesley Worrell (Tor/Forge Books) and Cecilia Yung (Penguin Books For Young Readers).
Some of the books Erica has worked on as a book designer:
Erica is also a children's book illustrator. Her illustrations appear in Mighty May Won't Cry Today, written by Kendra and Claire-Voe Ocampo, illustrated by Erica, published by Bunny Patch Press.
Erica's talk was packed with a ton of practical advice about how book creators, especially illustrators, can pursue success in 2022. Just a few takeaways:
- Figure out your personal book interests as readers and creators, and then research imprints/publishers that publish those books.
- Focus on improving your "soft" and your "hard" skills. Examples of soft skills: communication, organization, setting up creative work routines, being active in your book community. Examples of hard skills: learning new techniques, learning as much as you can about how the publishing industry works.
- Create a reasonable schedule of goals. Be granular and add measurable metrics to your goals. e.g. One new character design every month, etc. Erica showed us samples from her own notebook with 2022 art goals, 2022 art goals broken into monthly To Do lists, then her weekly/hourly breakdown.
Erica also talked about ways that illustrators can show their work, including tips on social media, advice on how to find your people and build your community.
She encouraged creators to set an intention and find meaning. "There isn't enough time in our lives to make art and write stories that do NOT excite us or mean a lot to us personally."
You can find out more about Erica De Chavez here:
Website: PandaErica.com
Twitter: @PandaErica
Cecilia Yung: Art Directors Panel #scbwiWinter22
Cecilia Yung is executive art director and vice president at Penguin Books for Young Readers, where she oversees illustration and design for two imprints, G.P. Putnam's Sons and Nancy Paulsen Books.
The majority of Cecelia's work is on picture books, so that's where she'll focus. Picture books are a very particular art form. A picture books is usually 32 to 40 pages long, typically for 4 to 7 year olds--readers who are also learning about life. Books can hep us make sense of ourselves and our world. Pictures become mirrors. We can recognize ourselves and the characters and their situations. Pictures become windows when they portray new characters and new situations and are authentic and believable. And books can introduce new ideas.
Ceclia shares, "You have to see the story and feel the story." And she takes us through the beauty of the following books.
WONDER WALKERS by Micha Archer
IN A JAR by Deborah Marcero
THE CAT MAN OF ALEPPO by Irene Latham and Karim Shamsi-basha, illustrated by Yuko Shimizu
NINA by Traci N. Todd, illustrated by Christian Robinson
"Powerful picture book illustration help the reader SEE the idea behind the story FEEL its mind-altering world-changing possibilities."